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A work for two piano's that depicts the fueding brothers, Romulus and Remus, and the foundation of Rome. This work is a melodic, fast and furious, programatic work. |
MP3.com CD: Making The Streets Safe - buy it!
CD: Making the Streets Safe for Classical Music, Again.
Label: Classical Angst Records
Credits: Kimberly Schmidt, Linda Camp, pianists, Composer Brian Conn |
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German leider for soprano and piano. One of a set of two songs based on eighteenth centurary German poetry. |
MP3.com CD: Making The Streets Safe - buy it!
CD: Making the Streets Safe for Classical Music, Again.
Label: Classical Angst Records
Credits: Mary Ann Beatty, soprano, Brian Conn, composer and pianist |
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A work of German leider for soprano and piano based on poetry of an 18th century German poet. |
MP3.com CD: Making The Streets Safe - buy it!
CD: Making The Streets Safe For Classical Music, Again
Label: Classical Angst Records
Credits: Mary Ann Beatty, soprano, Brian Conn, pianist,composer |
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Italian madrigal piece for eight A cappella voices based on words by W.A. Mozart and M. Cesti. |
MP3.com CD: Making The Streets Safe - buy it!
CD: Making the Streets Safe for Classical Music, Again.
Label: Classical Angst Records
Credits: Mary Ann Beatty, Colleen Bolthouse, Val Glowinski, Kristi McGonagle, Tim Bergman, Andy Jeffrey, Paul Evensen, Andy Schultz, vocalists, Brian Conn, composer, conductor |
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A work for solo piano of a romantic nature in a fantasia style. This work is technically challenging and filled with melodic emotive passages reminiscent of Liszt |
MP3.com CD: Making The Streets Safe - buy it!
CD: Making the Streets Safe for Classical Music, Again.
Label: Classical Angst Records
Credits: Brian Conn, pianist, composer |
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A work string ensemble |
MP3.com CD: Making The Streets Safe - buy it!
CD: Making The Streets Safe For Classical Music, Again
Label: Classical Angst Records
Credits: Thomas Yang, Jeff Yang,Paul Vanderwerf, Jeri-lou Zike, violin, Elizabeth Holzman, Loretta Gilespie, viola, Steven Houser,Linc Smelser, cello,Tim Shaffer, bass |
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A work for soprano, violin, cello, and piano with a somewhat contemporary, polytonal texture. |
MP3.com CD: Making The Streets Safe - buy it!
CD: Making the Streets Safe for Classical Music, Again.
Label: Classical Angst Records
Credits: Mary Seip, soprano, Thomas Yang, violin, Steven Houser, cello, Brian Conn composer and pianist |
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A work for soprano and string sextet. |
MP3.com CD: Making The Streets Safe - buy it!
CD: Making the Streets Safe for Classical Music, Again.
Label: Classical Angst Records
Credits: Mary Seip, soprano, Thomas Yang, violin, Jerri VanValkinburgh, Elizabeth Holzman, viola, Peter Szczepanek, Steven House, cello, Tim Shaffer, bass |
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A work for solo piano. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
Credits: written by Brian Conn, performed by Linda Camp |
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A work for solo piano in sonata form. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
Credits: Linda Camp, piano |
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This work was originally written to perform on a concert program for the Arlington Heights Library. The sonata exhibits a Franz Liszt flavor. It is technically demanding from start to finish with waves of arpeggiated chords supporting octave melodies. The first movement paints a picture of waves caressing a beach. The second movement starts with allusions to the first movement then moves into a melancholy mood that finally bursts forth in a fury. The third movement incorporates thoughts from the second movement but in a whirlwind fashion. This raucous adventure finally stops for a reflective breath in the middle but quickly is off and racing to it’s intense staccato finish. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
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A work for flute and piano. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
Credits: Susan Siciliano, flute, Brian Conn, piano |
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This piece was written in honor of the marriage of Susan Siciliano and Michael Meyers, December 22, 1996. The first movement starts out with Irish melody. The second movement begins with solo flute and the piano joining in for a romantic interplay. The phrase of the flute tapers as the piano line rises up in an incessant emotional swell. Susan performed this section of the sonata for all in attendance at her and Michael’s wedding reception. The third movement reminds me of Poulenc. It remains founded in tonality but ventures into a contemporary chromatic mode. This is definitely the most challenging of the three movements for both the flute and piano. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
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A work for flute and piano written in honor of the marrieage of the flautist. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
Credits: performed by Susan Sicilian, flute, Linda Camp, piano |
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MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
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A work for Violin,Cello, and Piano in three movements. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
Credits: Thomas Yang, Violin, Peter Szczpanek, Cello, Brian Conn, Piano |
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A work for Violin,Cello,and Piano in three movements. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
Credits: Thomas Yang, Violin, Peter Szczpanek, Cello, Brian Conn, Piano |
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A work for Violin,Cello,and Piano in three movements. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
Credits: Thomas Yang, Violin, Peter Szczpanek, Cello, and Brian Conn, Piano |
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This work originated as a project for a composition class taught by Dr. Michelle Schelle at Butler University. It is my commentary on the often overused and misused definition of love. The violin represents man and his constant struggle between good and evil. The minimalist piano part represents the heartbeat of man. The tone cluster at the beginning and end of the piece represents the creation of man. The flute portrays an angel pulling man towards heaven. The cello represents Satan’s constant pull towards evil. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
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A work for two violins, viola, and cello based on an old Irish melody. |
MP3.com CD: Intense Measures - buy it!
CD: Intense Measures
Label: Classical Angst Records
Credits: Thomas Yang and Jerri Lou Zike, violin, Kimberly McLean, viola, Peter Szczpanek,cello. |
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A work for soprano,violin, and two cello's based on poems of eighteenth century poets. |
MP3.com CD: Vocalnetics - buy it!
CD: Vocalnetics
Label: Classical Angst Records
Credits: Marta Phillips, soprano, Thomas Yang, violin, Peter Szczpanek, Steven Houser, cello |
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A work for soprano,violin, and two cellos based on poems by eithteenth centruy poets. |
MP3.com CD: Vocalnetics - buy it!
CD: Vocalnetics
Label: Classical Angst Records
Credits: Marta Phillips, soprano, Thomas Yang,violin, Peter Szczpanek,Steven Houser, cello |
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A work for soprano,violin,and cello based on poems by eighteenth century poets. |
MP3.com CD: Vocalnetics - buy it!
CD: Vocalnetics
Label: Classical Angst Records
Credits: Marta Phillips,soprano,Thomas Yang, violin, Peter Szczpanek,Steven Houser, cello |
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A work for mezzo-soprano and brass quartet. |
MP3.com CD: Vocalnetics - buy it!
CD: Vocalnetics
Label: Classical Angst Records
Credits: Kristi McGonagle, mezzo-soprano,Phil Feo, trumpet,Erich Peterson, horn in F,Chris Scott,trombone,John McAllister,tuba |
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A work for two sopranos,two violins and cello with words compiled from Bach contata's. |
MP3.com CD: Vocalnetics - buy it!
CD: Vocalnetics
Label: Classical Angst Records
Credits: Marta Phillips, Mary Seip, sopranos, Thomas Yang,Sarah Briggs-Cornelius,violins,Steven Houser,cello |
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A vocalise two soprano's,alto,string quintet, and drums. |
MP3.com CD: Vocalnetics - buy it!
CD: Vocalnetics
Label: Classical Angst Records
Credits: Mary Seip, Marta Phillips, soprano, Kristi McGonagle,alto,Thomas Yang, Sarah Cornelius,violin,Terri VanValkinburgh,viola, Peter Szczpanek,cello, John Floeter,bass, John Towner,drums |
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Composed in January of 1996, this work was written for a contest sponsored by the Elgin Choral Union. They wanted a Christmas piece of approximately eight to ten minutes. I think perhaps, they were looking for a “lighter” work along the lines of Chestnuts Roasting On An Open Fire. I started to write this piece with every intent of writing the lyrics myself. Once again, I tried to move forward with the piece but kept hitting a stumbling block; the language. I couldn’t come up with lyrics of my own because the melody I heard in my head was being sung in Latin. I went through my Norton Samplers from college and came across Gregorian chant studies. I dissected the text from four different pieces and reassembled them for this work. Once again, I was drawn to the Baroque/Renaissance sound to allow the text to be emphasized more dramatically. |
MP3.com CD: Vocalnetics - buy it!
CD: Vocalnetics
Label: Classical Angst Records
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A lullaby for soprano and string quintet. |
MP3.com CD: Vocalnetics - buy it!
CD: Vocalnetics
Label: Classical Angst Records
Credits: Marta Phillips, soprano, Thomas Yang,violin,Terri Valkinburgh,Liz Holzman,viola,Peter Szczpanek,Steven Houser,cello |
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A poem about loosing touch with friends and classmates throughout the years. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn vocal, poet |
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A poem about my friends little girl, Lee Ann. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem from the view point of a parent cradeling their child and rocking them to sleep. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, poet |
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A poem about St. Augustine and how his writings, which inspired most of the Catholic churches doctrine, actually undermined what Christ and all the prophets came to teach. Love. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem about my disdain for organized religion, especially the Catholic church. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem about reincarnation. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem about the soul's journey. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem depicting the resentment towards a person after you break up. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem about nudity. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem about the oppressive nature of governments. Absolute power corrupts, absolutely |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem about summer, my favorite time of year. I tried to write it in the e.e. cummings style. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem written for my friend Mary about her relationship with her father. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem about my irritating father. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem about all those materialistic shoppers who revel in their frugality. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A hymn to Nature. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A poem about the hypocrisy of the papacy. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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A resentful poem about wanting someone else to see things as I do. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal, poet |
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The destruction of Mother Earth. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn |
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A poem depicting the lowest, highest, and most inspirationally challenging aspects of love. |
CD: ICONOCLAST
Label: Classical Angst Records
Credits: Brian Conn, vocal,writer |
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