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| Like the rest of the songs on this album, all instrumentals and vocals were written and performed by Jeffery To, with the exception of "Blind God." "Fat Man" represents the main theme and musical direction of this album. It intermingles sadness, resentment, and joy - all in protest of the slavery nurtured by corporate America, the need for stature, keeping up with the fucking Jones', and the basic despicable human desire to be a master in one's own little world. In the end, the song allows truth to prevail as it rejoices, "Get up! Get up! And get down! Oh, now I can see!" |
CD: Save Me | Kill Me
Label: BoomBox Worldwide
Credits: F4 |
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| She's been passing the clap and she's been spreading it around... |
CD: Save Me | Kill Me
Label: BoomBox Worldwide
Credits: F4 |
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| This song was written after a breakup with a true love. Lacking the sappiness of your typical love song, this one's like waking up to a hangover, or coming down from an awesome but temporary high. Love is a drug. Like Rollins said, "I'll come at you like an affliction. And I'll leave you like an addiction." |
CD: Save Me | Kill Me
Label: BoomBox Worldwide
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| Features Amora's powerful vocals and her ability to concoct the most visceral and to-the-point lyrics on the spur of the moment. She is supported by Jeff's blend of orchestral-R&B-Alternative psychedelia which pushes Amora's message to a crescendo. Believe it or not, this song was done in 4 hours in Jeff's studio apartment. Each musical part including the vocals was performed without preparation. The song is spontaneous and poignant. |
CD: TBD
Label: BoomBox Music Worldwide
Credits: Amora and Jeffery To |
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| Influenced by early trip hop and spoken word, "Clint Eastwood" began the protest that resulted in "Fat Man." Minimalist in style, the song is carried by a raw bass line and the honest voice of a seriously confused youth. This song drops all pretense and just cuts to the chase. |
CD: F4
Label: BoomBox Worldwide
Credits: F4 |
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| Inspired by a night of psychedelia-induced revelry, this song describes the transformation of the everyday into grand visions. Men become gods, plants become trees, seconds become years, thought becomes concrete boulders, and the ceiling becomes the sky. The song becomes increasingly celebratory and triumphant, escalating to delusions of grandeur, before crashing down to reality. |
CD: F4
Label: BoomBox Worldwide
Credits: F4 |
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| The saint is in the flame.I don't want to be a politician.The needle's in his vein. |
CD: Save Me | Kill Me
Label: BoomBox Worldwide
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