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| First song in the cycle Five Poems of Emily Dickinson, for voice and guitar, written in 2002 for tenor/guitarist Matthew Hinsley. |
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Credits: Matthew Hinsley, tenor and guitar |
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| Second song in the cycle "Five Poems of Emily Dickinson," for voice and guitar, written in 2002 for tenor/guitarist Matthew Hinsley. |
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Credits: Matthew Hinsley, tenor and guitar |
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| "I'm Nobody," the third song in the cycle "Five Poems of Emily Dickinson," for voice and guitar, written in 2002 for tenor/guitarist Matthew Hinsley. |
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Credits: Matthew Hinsley, tenor and guitar |
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| Fourth song in the cycle "Five Poems of Emily Dickinson," for voice and guitar, written in 2002 for tenor/guitarist Matthew Hinsley. |
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| Fifth song in the cycle "Five Poems of Emily Dickinson," for voice and guitar, written in 2002 for tenor/guitarist Matthew Hinsley. |
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Credits: Matthew Hinsley, tenor and guitar |
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| A chamber work for voices, baroque flute, baroque tenor recorder, and guitar, based on a poem by e.e. cummings. |
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Credits: Stephanie Prewitt, alto; Christopher LeCluyse, tenor; Dell Hollingsworth, recorder; Marcus McGuff, flute; Jonathan Kulp, guitar |
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| Classical guitar work inspired by the rhythms of the Cuban 'son' written in 1997 for guitarist Steve Kostelnik. This is a live recording from Austin, Texas, 1998. |
CD: GUITAR RECITAL: Steve Kostelnik
Label: Naxos
Credits: Steve Kostelnik, guitar |
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| Classical guitar work inspired by the rhythms of Cuban "son," written in 1999 for guitarist Steve Kostelnik |
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| Work for classical guitar inspired by the rhythms of the Dominican "merengue," written for Steve Kostelnik in 1996. This is a live recording from a performance in Austin, Texas, 1998. |
CD: GUITAR RECITAL: Steve Kostelnik
Label: Naxos
Credits: Steve Kostelnik, guitar |
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| First song in the cycle "Canciones para niños," to poems by Federico García Lorca, for high voice and classical guitar, written between 1994-2000. |
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Credits: Heather Johnson, soprano; Matthew Hinsley, guitar. Recorded live in Austin, Texas, 1998 |
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| Second song in the cycle "Canciones para niños," to poems by Federico García Lorca, for high voice and classical guitar, written between 1994-2000. Title translates as "Little Sevillian song." |
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Credits: Heather Johnson, soprano; Matthew Hinsley, guitar. Recorded live in Austin, Texas, 1998 |
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| Third song in the cycle "Canciones para niños," to poems by Federico García Lorca, for high voice and classical guitar, written between 1994-2000 |
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Credits: Rosana Risé, soprano; Sergio Moldavsky, guitar |
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| Fourth song in the cycle "Canciones para niños," to poems by Federico García Lorca, for high voice and classical guitar, written between 1994-2000. Title translates as "the lizard is crying" |
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Credits: Heather Johnson, Soprano; Matthew Hinsley, guitar. Recorded live in Austin, Texas, 1998 |
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| Fifth song in the cycle "Canciones para niños," to poems by Federico García Lorca, for high voice and classical guitar, written between 1994-2000. |
CD: Matthew Hinsley: Passions Move
Credits: Matthew Hinsley, tenor and guitar |
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| Sixth song in the cycle "Canciones para niños," to poems by Federico García Lorca, for high voice and classical guitar, written between 1994-2000. |
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Credits: Rosana Risé, soprano; Sergio Moldavsky, guitar |
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| Eighth song in the cycle "Canciones para niños," to poems by Federico García Lorca, for high voice and classical guitar, written between 1994-2000. |
CD: Matthew Hinsley: Passions Move
Credits: Matthew Hinsley, tenor and guitar |
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| Ninth and final song in the cycle "Canciones para niños," to poems by Federico García Lorca, for high voice and classical guitar, written between 1994-2000. |
CD: Matthew Hinsley: Passions Move
Credits: Matthew Hinsley, tenor and guitar |
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| First song in the cycle "Three Poems of James Joyce," for voice and classical guitar (1991) |
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Credits: Martha McCarroll, soprano; Jonathan Kulp, guitar; recorded live in Austin, Texas, 1995 |
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| Second Song in the cycle "Three Poems of James Joyce," for voice and classical guitar (1991) |
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Credits: Martha McCarroll, soprano; Jonathan Kulp, guitar; recorded live in Austin, Texas, 1995 |
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| Third Song in the cycle "Three Poems of James Joyce," for voice and classical guitar (1991) |
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Credits: Martha McCarroll, soprano; Jonathan Kulp, guitar; recorded live in Austin, Texas, 1995 |
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| First song of the cycle, "Single Female Seeks: Six Personal Ads for voice and piano" (1995) |
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Credits: Lise Uhl, soprano; Gail Wade, piano |
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| Second song of the cycle, "Single Female Seeks: Six Personal Ads for voice and piano" (1995) |
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Credits: Lise Uhl, soprano; Gail Wade, piano |
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| Third song of the cycle, "Single Female Seeks: Six Personal Ads for voice and piano." (1995) |
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Credits: Lise Uhl, soprano; Gail Wade, piano |
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| Fourth song of the cycle, "Single Female Seeks: Six Personal Ads for voice and piano" (1995) |
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Credits: Lise Uhl, soprano; Gail Wade, piano |
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| Fifth song of the cycle, "Single Female Seeks: Six Personal Ads for voice and piano" (1995) |
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Credits: Lise Uhl, soprano; Gail Wade, piano |
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| Sixth and final song of the cycle, "Single Female Seeks: Six Personal Ads for voice and piano" (1995) |
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Credits: Lise Uhl, soprano; Gail Wade, piano |
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| A musical setting of passages from the last chapter of James Joyce's Ulysses. This is a nine-minute work that might someday serve as the closing scene of an opera based on Ulysses. It was originally for voice and guitar (1995) and later arranged in the present version for voice and piano (1999). |
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Credits: Lise Uhl, soprano; Gail Wade, piano |
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| Song for voice and piano on a text by Maria Gabriela Verdesoto. |
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Credits: Lise Uhl, soprano; Gail Wade, piano |
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| This is a recording of Isaac, Caroline, and me hanging out in my office. Isaac instructs Caroline to draw a picture while I'm noodling on my guitar in the background. Later I draw while Caroline plays. Mostly for friends and family! |
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Credits: Isaac Kulp (age 2), Caroline Huey (mom), Jonathan Kulp (dad) |
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| This is a recording of my son Isaac playing the piano in my office and talking to me. Mostly for friends and family to hear... |
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