Music Style I don't stick hard and fast to one type of music. If it's a good tune I'll mix it in, that way the crowd gets to hear a variety of beats.

Musical Influences Where do I start? D-Fuse, Kevin Saunderson, Tony Bliss, Paul Johnson, too many to name!

Similar Artists No other DJ around...

Artist History Steve Robison a.k.a. Dj ZiNJA is the DJ, designer, and remixer who has done more than anyone else to bring trance and progressive trance music to thousands of listeners in Michigan. Born in Ann Arbor in 1979, ZiNJA began mixing at the young age of 14 and in 1996 he hooked up with Rusch Entertainment Agency out of Flint, Michigan. ZiNJA has been known to take crowds on a personal journey with his unique progressive trance sets and has spun with the likes of CDX and Tony Bliss. In 1998 he released his first mix compilation Hand Spun which proved that not only can he flawlessly mix trance but many other kinds of tunes as well. ZiNJA has been compared to such talented artists as Michael Myers from Philadelphia and was a huge success at parties such as Beat Freaks Y2K, Pheel, Get Together, Tribal Roots, and the extremely successful Dominant Species party. In 2000-01 ZiNJA spent some time in Philadelphia improving his remixing skills at the highly successful Millennium Sound Studios. Earlier this year he came out with his first trance single Ominous Being. The following month he changed direction and combined trance with booty in his Ass N’ Titties remix. His latest compilation The Unity of Art and Science also proved to be extremely popular and has earned him a lot of credit in the DJ world.

Instruments Pioneer DJM-500, 2 Technics SL-1200 turntables, Roland MC-303, Digital Performer, Pro Tools, My Imagination.

Albums Hand Spun, The Unity of Art and Science, 0 to 45 in 3.3

Location Ann Arbor, MI - USA

Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).