|
 |
Artist description
Bob Dylan meets the Aphex Twin after studying with Igor Stravinsky. |
 |
Music Style
Alternative/Post Rock |
 |
Musical Influences
Beat Poetry/Electronic & Experimental music |
 |
Similar Artists
Laurie Anderson, Robert Ashley, Dylan, Eno, Joe Frank, Peter Gabriel |
 |
Group Members
As a composer, Moore is well grounded in the technological innovations of both the avant garde and academia, yet has a way of utilizing these in contexts which are coherent and decidedly nonacademic. As a poet, his varied influences include existential philosophy, popular media, and beat poetry. At times he poses as a teller of stories, while other times as a deliverer of nonlinear meditations which drift in a stream of obliquely related themes |
 |
Instruments
computer, voices, anything lying around studio |
 |
Albums
Lives of the Saints, An Obscure Presence |
 |
Press Reviews
REVIEW1: Full of multiple implications and shadowy shades of meaning... charged with religious and spiritual insinuations. Saints, angels, demons, the primal, urban eccentrics touched by something otherworldly, the blessed, and the hauntedpopulate the landscape of Moore’s wandering/ wondering composition/text pieces. Titus Levi, Keyboard Magazine, May 1996REVIEW2:Radio theatre as Brian Eno might have conceived it. I’ll be hanged if I understand any of it, but I like it ........ more substantial than Robert Ashley. It is indeed a pleasure to encounter a recording that’s as unique and interesting as the hype claims.Michael Bloom, Boston Rock, August 1995REVIEW3:Moore is a master of building tension. Complex timbres and textures slowly evolve from simple passages and then suddenly resort back to simplicity with a focus once more on the text . . . (He) captures the alienation of urban life in a nondescript American metropolis.Rodney Oakes, Journal SEAMUS, February 1996 |
 |
Location
Venice, CA - USA |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|