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This is the COMPLETE soundtrack to the experimental film SYNCHRONICITY, by New York City based director Allison Kaufman. SYNCHRONICITY is a black and white, semi-abstract film about parallel lives, confusing relationships, and the power of redemption. The soundtrack is a continous electro-acoustic piece featuring processed violins & violas, electric guitars, and pulsating rhythms. SYNCHRONICITY is influenced by modern city life and the urban decay that surrounds me everyday; but, don't get me wrong - I like it. This work was composed in Spring 2000. | MP3.com CD: Music for Moving Pictures 1 - buy it!
Credits: VIOLIN: Todd Hasson; GUITAR, VIOLA, ELECTRONICS: Chris McGlumphy |
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This song accompanies the opening titles to the film BEING CLAUDINE, directed by New York City based director I-fan Quirk. The film is a contemporary comedy/romance about a young woman struggling to find direction in both her acting career and her lovelife. The rock-a-billy style of this title song hints at the upbeat, witty nature of the film's dialog and storyline. BEING CLAUDINE won first prize at the 2000 Edmonds Film Festival in Seattle, WA. The score was composed in Spring 2000. | MP3.com CD: BEING CLAUDINE - Soundtrack - buy it!
Credits: LYRICS: Chris McGlumphy; BASS: Andrea Pejrolo; TRUMPET: Steve Mercier; GUITAR, VOCALS, DRUM PROGRAMMING: Chris McGlumphy |
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For bass viola da gamba, tape, and electronics, WHEN IN NOMINE is a crossover piece incorporating ancient and contemporary composition techniques, as well as modern technology. |
Credits: BASS VIOLA DA GAMBA: Margaret Panofsky; ELECTRONICS: Chris McGlumphy |
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