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I've always been fascinated by the concept of old and new musical concepts in the same piece. The second movement of this Baroque composition forms the accompaniment for the soprano, whose voice has been altered by an exaggerated reverse reverb technique. This creates a unique feeling of "foreshadowing", as we effectively hear the melody line approaching before it has been sung, then hear it "in context" with the chamber ensemble. |
Credits: Soprano: Kara Lund |
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Injected audio. Meaningless rules and regulations heard over a PA system in a displaced thunderstorm. Found sounds--dissected. |
Credits: Speech: Ferdinand Lewis - Singing voice: Emlyn Ellis Addison |
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Reverse-engineered death.
Lay down under a detuned piano, and breathe in the recycled notes. |
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