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I've always been fascinated by the concept of old and new musical concepts in the same piece. The second movement of this Baroque composition forms the accompaniment for the soprano, whose voice has been altered by an exaggerated reverse reverb technique. This creates a unique feeling of "foreshadowing", as we effectively hear the melody line approaching before it has been sung, then hear it "in context" with the chamber ensemble. |
Credits: Soprano: Kara Lund |
Story Behind the Song
The subject of this concerto is the passing of time. This movement personifies time as a companion to us all. While time changes, so too must we.
I chose to use Latin instead of English to allow me to distance the listener from the singer's words.
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