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| Rocking underscore cue with a Navajo Musical influence. From forthcoming film "American, Native." |
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Credits: Written and Produced by Haddon S. Kime; Guitar : Yamil Suarez |
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| Original Slide Guitar theme written from Sam Shepards play, "Buried Child." |
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Credits: Music by Haddon S. Kime; Guitar: Brad Ackley |
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| A mix of heavy industrial loops, and some writing utilizing the modal textures of the Middle East. This piece was written for Seth Greenland's stage play "Jerusalem." |
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Credits: Written and Produced by Haddon S. Kime ; Violin by Nicky Sanders |
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| Written as an opening cue for Conor McPherson's play "The Weir". |
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Credits: Music by Haddon S. Kime ; Violin by Nicky Sanders |
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| Piano, tablas, violin, vibraphone, and upright bass play a cue underscoring the frenetic enviornment of a city hospital. |
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Credits: Written and Produced by Haddon S. Kime / Violin by Nicky Sanders |
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| Mismatch of world music instrumentation coming together in a groove oriented underscore. |
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Credits: music by Haddon S. Kime |
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| Film Music with a Celtic flavor. |
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Credits: Music by Haddon S. Kime |
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| A TV main title, written for ABC's much loved series "The Young Riders," kind of a 90210 in Tombstone. Not that I'm knocking Tombstone. Quality town! Anyhow, this one here is just for the spank of it. It's actually a Berklee project all dressed up and ready for the red carpet. |
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Credits: Composed, Conducted and Produced by Haddon S. Kime |
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| Cue from History Channel documentary on Ellis Island. |
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Credits: Composed, orchestrated, and conducted by Haddon S. Kime |
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| Dosen't really need an intro as to what it's about. Piano and voice is sometimes all that's needed. |
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Credits: Words and Music by Haddon S. Kime |
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| Song for a female vocalist. About a mother's journey form bringing her child home, to sending them off on their own. |
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Credits: Music and Lyrics by Haddon S. Kime; Vocals by Erin Vulgamore |
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| Main theme for Stoppards Play |
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Credits: Music by Haddon S. Kime |
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| Dark, eerie underscore |
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Credits: Composed and Produced by Haddon S. Kime |
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| Music to be buried alive by. |
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Credits: music by Haddon S. Kime |
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| Haunting piano theme leads to the summons of a pennywhistle as an intro to Diane Samuels' play. |
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Credits: Music by Haddon S. Kime; Pennywhistle by Allison Weitzman |
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