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| This track was partially influenced by ambient drum 'n' bass. It is in a fast 5/8 meter, and contains an extended (two minute) electronic drum solo in the middle section of the song. |
CD: Skerzi
Credits: Engineered, Produced, Composed, and Recorded by Ryan Rapsys |
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| This is a hardcore, experimental IDM/trip-hop track which borrows heavily from contemporary classical compositional techniques. |
CD: Skerzi
Credits: Engineered, Produced, Composed, and Recorded by Ryan Rapsys |
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| This is a modern interpretation of the pasacaglia form in a mostly unpitched percussion context. The pasacaglia theme repeats in the crotales part while percussive interjections interupt the theme in various ways. |
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Credits: Composed by Ryan Rapsys, Performed by Andrew Bartelson |
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| This is a hardcore, experimental IDM track which borrows heavily from contemporary classical compositional techniques. |
CD: Skerzi
Credits: Engineered, Produced, Composed, and Recorded by Ryan Rapsys |
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| This is a new electronic work that tests the limits of intensity in music capable with the electronic medium. |
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Credits: Engineered, Produced, Composed, and Recorded by Ryan Rapsys |
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| This is my submission for the Young Film Composers Competition. It is to accompany the Nosferatu clip which can be found here, along with the information on the competition: http://www.turnerclassicmovies.com/YFCC/ |
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Credits: Engineered, Produced, Composed, and Recorded by Ryan Rapsys |
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| Cadence is a series of pieces I'm currently working that experiments with minimalist cadence ideas in each key. They are exerimental, electronic classical pieces. Each one is very different and explores different subtleties in electronic timbre and color. |
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Credits: Composed and Realized by Ryan Rapsys |
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| Cadence is a series of pieces I'm currently working that experiments with minimalist cadence ideas in each key. They are exerimental, electronic classical pieces. Each one is very different and explores different subtleties in electronic timbre and color. |
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Credits: Composed and Realized by Ryan Rapsys |
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| Cadence is a series of pieces I'm currently working that experiments with minimalist cadence ideas in each key. They are exerimental, electronic classical pieces. Each one is very different and explores different subtleties in electronic timbre and color. |
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Credits: Composed and Realized by Ryan Rapsys |
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| Cadence is a series of pieces I'm currently working that experiments with minimalist cadence ideas in each key. They are exerimental, electronic classical pieces. Each one is very different and explores different subtleties in electronic timbre and color. |
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Credits: Composed and Realized by Ryan Rapsys |
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| This piece began as just a concept in my head: what if I recorded one sound and created an entire piece from it? Eventually, I settled on the sound of scissors clipping. Because of the sharp, short sound created bythe scissors, I decided a faster/more rhythmic piece would be fitting for a couple reasons: to take advantage of the faster sounds produced from the original sound, as well as to musically represent the mechanical, intense, and fast-paced world of today. |
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Credits: Engineered, Produced, Composed, and Recorded by Ryan Rapsys |
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| I decided to take something commonlyheard--static noise (such as heard on a television when it is not on any particularchannel)--and manipulate it in an organized fashion to evoke emotion. What emerged wasa surrealistic landscape of noise, a morpheous journey through modern age. |
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