|
 |
|
|
|
| for electric violin, electric cello and sound processor. |
|
Credits: Patrick Long- composer, Lina Bahn - violin, Collin Oldham - cello |
| |
 |
|
 |
|
|
|
| A piece for electronic percussion and interactive computer music system. Odd meters and use of polymeter throughout. |
CD: Electronic Percussion
Credits: Patrick Long - composer / performer / programmer |
| |
|
|
 |
|
|
|
| This piece uses interactive software written with the Max/MSP authoring language. This software program "listens" to the saxophone and processes the live sound in specific ways. |
CD: Electro Acoustic
Credits: Gail Levinsky - saxophone, Patrick Long - composer/programmer |
| |
|
|
 |
|
|
|
| Six movements: I. Black stars and bright shadows, II. Voices, III. My House, IV. Two Birds, V. November Steps, VI. Reunion |
CD: Works for Percussion
Credits: Patrick Long - composer / performer |
| |
|
|
 |
|
|
|
| Composed for violinist Jennifer Sacher Wiley and the Susquehanna University Orchestra, to be part of their 2003 family concert entitle, "Outside the Music Box" |
|
Credits: Jennifer Sacher Wiley - violin, Patrick Long - composer / conductor |
| |
|
|
 |
|
|
|
| This is a work for malletkat midi percussion controller and interactive computer music system. It was inspired by a fever-induced dream that I had as a child, in which the traditional Dickensonian images of Christmas were transformed and melded into something very mysterious and somewhat dark. |
CD: Electronic Percussion
Credits: Patrick Long - composer / performer / programmer |
| |
|
|
|
|
|
|
| The tape part consists of an "impossible" piano accompaniment in the spirit on Conlon Nancarrow. Download a free score from www.longsound.com. |
CD: Electro-acoustic
Credits: Andrew Waggoner - violin, Patrick Long - composer |
| |
|
|
 |
|
|
|
| A Concerto for electronic percussion with computer interactivity and live video, and symphonic band. This recording is of a performance by the Selinsgrove Area High School band, directed by Edward C. Smith, with Patrick Long as percussion soloist. |
CD: Music for Large and Small Ensembles
Credits: Patrick Long - solo percussion, Selinsgrove Area High School Band. Edward C. Smith, conductor |
| |
|
|
 |
|
|
|
| This piece was composed for choreographer Cynthia Williams and her dance group at Hobart and William Smith Colleges. |
CD: Electronic Percussion
Credits: All parts played by the composer |
| |
|
|
 |
|
|
|
| This is a quiet and contemplative piece for violin and piano. Both instruments are processed through a gently swaying and constantly evolving matrix of digital delay lines. Download a free score from www.longsound.com. |
CD: Electro-Acoustic
Credits: Air de Cour Ensemble - Rochester, New York |
| |
|
|
 |
|
|
|
| A setting of Walt Whitmans' poem "When I Heard the Learned Astronomer" for soprano, amplified chamber ensemble and electronic percussion. |
CD: Music for Large and Small Ensembles
Credits: The Timaeus Chamber Ensemble |
| |
|
|
 |
|
|
|
| Four delay lines running simultaneously-- one at the 16th note, one at the 8th, one at the half, and one at the whole note. |
CD: Electronic Percussion
Credits: Patrick Long - composer / performer / programmer |
| |
|
|
 |
|
|
|
| Work for five percussionists. Download a free score from www.longsound.com. |
CD: Music for Large and Small Ensembles
Credits: The Radford University Percussion Ensemble |
| |
|
|
 |
|
|
|
| Somewhat minimalist piece for solo vibraphone. Download a free score from www.longsound.com. |
CD: Works for Percussion
Credits: Patrick Long - composer / performer |
| |
|
|
 |
|
|
|
| This is a musical depiction of the suburban summer nights of my youth. Download a free score from www.longsound.com. |
CD: Electro-acoustic
Credits: Thomas Carranti - saxophone, Patrick Long - composer |
| |
|
|
 |
|
|
|
| A contemplative solo for timpani. The tape plays a drone throughout. |
CD: Electro-acoustic
Credits: Patrick Long - composer / performer |
| |
|
|
|
|
|
|
| A programatic piece for solo marimba. Download a free score from www.longsound.com. |
CD: Works for Percussion
Credits: Andrew Harnsberger - marimba, Patrick Long - composer |
| |
|
|
|
|
|
|
| This piece uses an autoharp that has been radically retuned. The buttons have been removed, allowing the strings to be both struck with percussion mallets, and played with a violin bow. Pickups have been placed inside the resonating chamber, and the sound is processed to create a continuously evolving, undulating loop. |
CD: Electro-acoustic
Credits: Patrick Long - composer / performer / programmer |
| |
|
|
 |
|
|
|
|
CD: Electro-acoustic
Credits: Patrick Long - composer / performer / programmer |
| |
|
|
|
|
|
|
|
CD: Electro-acoustic
Credits: Patrick Long - composer / performer / programmer |
| |
|
|
 |
|
|
|
|
|
Credits: Patrick Long - composer / performer |
| |
|
|
 |
|
|
|
|
|
Credits: Patrick Long - composer / performer |
| |
|
|
 |
|
|
|
|
|
Credits: Patrick Long - composer / performer |
| |
|
|
 |
|
|
|
|
|
Credits: Patrick Long - composer / performer |
| |
|
|
 |
|
|
|
|
|
Credits: Patrick Long - composer / performer |
| |
|
|
 |
|
|
|
|
|
|
| |
|
|
 |
|
|
|
|
|
Credits: Patrick Long - performer / composer |
| |
|
|
 |
|
|
|
|
|
Credits: Patrick Long - composer / performer |
| |
|
|
 |
|
|
|
|
|
Credits: Patrick Long - performer / composer |
| |
|
|
|
|
|
|
| This is a setting of text by Hildegard von Bingen, for soprano, chamber ensemble, electronic percussion and sound processing. |
CD: Music for Large and Small Ensembles
Credits: The Timaeus Chamber Ensemble |
| |
|
|
|
|
|
|
| The final movement from an evening-length cantata entitled "In Torn Air", for voices, chamber ensemble, and live electronics. Texts are by James McKorkle. |
CD: Chamber Music
Credits: The Timaeus Chamber Ensemble |
| |
need help playing tracks?
lo fi play
hi fi play
download
email track to a friend
view track info