|
|
Artist description
mind-f**king timed space though audio. 'Dildopop' some fans told me. They were in jail at the time...[kidding]. Dimensions of sounds, round tones, riff/vocal warbling mixtures |
|
Music Style
Experimental/Noise/fetish |
|
Musical Influences
Vernon Lewis, 78's ,uphoria, 'poppers' [ kidding] |
|
Similar Artists
Matt Davignon |
|
Artist History
Ever since youth, there has always been a curiosity with audio. One good example was an 78 record on 45.[schwing] Why was one speed intended? What sounds are created when speed-times are changed? I always wanted to know. I started a DJ career at 15 years old at the height of Disco [1979]. Wasn't that special? I'm also studying keybords, strings and percussion. Audio engineering is my love. But my curiousity has been to myself, because of not catagorizing this sound. Since it's a experimental form, there are people on the net with the same sounds/interests. I have a personal library of my creations that will get you good/bad. Web page also at www.Iuma.comcoming soon. |
|
Group Members
Me, you and a computer too! |
|
Instruments
Keys, sampling ,programming, tape loops, forms of media .Mixman/Cool Edit 2000 recording applications; both licenced. |
|
Albums
Lists coming soon |
|
Press Reviews
"It's hard to turn the song down when you're tied up. schwing!"-H.H."...Great tracks"-M.Davignon "Afterwards, I have to smoke a cigarette."-Master Mike"gggggggggrrrrrrrrooooowwwwwwrrrllllllsssssshhhh!!!-mindballnet(fanclub)"Whoa. What was that? I'm f**ked!"- Kumeen Sum Yung Giy |
|
Additional Info
also T shirts, stickers......(we shall see) |
|
Location
Washington, D.C. - USA |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|