|
|
Artist description
Since the beginning of 1996 we've written various types of electronic music. We started out trying to create our own sound and music style. Some of our songs were influenced by industrial electronic bands and some by simple europop. It all depended on our mood that particular day! In 2000 Tobbe have started writing songs and hopefully they will be on our page later this year. |
|
Music Style
Electronic pop |
|
Musical Influences
Electronic music of the 20th/21th century |
|
Similar Artists
Depeche Mode, SPOCK, Indochine, Human League, Men without hats, Dead or alive, Recoil, DAF, Covenant, Simple Minds, Kraftwerk, Yazoo, Erasure |
|
Artist History
In 1996 we were 4 guys creating a new band called Admission.Daniel Johansson was the singer, Tobias Andersson and Roger Lindholm played synthesizer and Tomas Nilsson played percussion.Tomas Nilsson and I (Daniel) had played together before (1987-1990, 1995-1996)in 2 different bands.Roger Lindholm came from the same village, so we knew eachother pretty well. He joined in as we were looking for another keyboardplayer.Tobias and I met in a former band we both played in. I sang and he played keyboard in this band. Today Tobias and I are a duet. He is the "computer freak" and takes care of programming, effects and that sort of stuff whilst I write most of our music.In late 2000 Tobias made the music to his first traack "Does it really matter". And those of you who compare it to the other songs can hear a difference in the sound.May the force be with us..see you out there |
|
Group Members
Daniel Johansson (vocals), Tobias Andersson (synthesizer) |
|
Instruments
Synthesizer, sampler, and some kitchen stuff.. |
|
Albums
Temptation |
|
Press Reviews
Not this year... |
|
Location
Kalmar - Sweden |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|