|
|
Artist description
Darryl is a producer, arranger, composer,songwriter, and studio musician, with NBC Movie of the week soundtrack credits, television credits (NBA Inside Stuff, Maury Povich Show), and national airplay on over 90 Gavin, R & R, BRE, Urban network, and Impact reporting stations. Darryl's CD "Tea For Two" has recently been licensed and released by Tiger Records of the Philippines. Darryl's previous release "17th Street" has recently been licensed and released by Prestige Records of England. |
|
Music Style
Contemporary jazz with urban influences |
|
Musical Influences
War, Mandrill, Earth Wind & Fire, Crusaders, Jeff Lorber, Miles Davis, Herbie Hancock, Weather Report, Najee |
|
Similar Artists
Sound is original. Press comparisons said some selections sound like Gerald Albright, and Dave Sanborn |
|
Artist History
Darryl Alexander was a member of the innovative Contemporary became a solo artist in 1992 after touring with Donn Thomas of Word Records, Word, Blood, & Power, and Los Angeles based musician and producer Herb McMullen. |
|
Group Members
Musicians who performed on Darryl Alexander's "Tea For Two" CD are as follows: Sax, Mark Early, Bass & Rhythmn Guitar, Fred Ervin, Keyboards, Jackie Warren, Lead & Rhythmn Guitar, Ken Karsh, Sax, Chris Kharlis (on Let's Take A Chance, Does It Really Matter), Keyboards, Pete Tokar (on Does It Really Matter). Musicians who performed on his "17th Street" CD are as follows: Sax, David Kana, Keyboards, Gary Boggess, Guitar, Teddy Pantelas. |
|
Instruments
Drums, Percussion, Keyboards |
|
Albums
"Tea For Two", "17th Street", and "Coast To Coast" |
|
Press Reviews
Urban Network, July 23, 1999, BRE Magazine, June,25, 1999, Jazz Review.com (2000), theglobalmuse.com |
|
Additional Info
Provides music consulting, label development services. promotional services. |
|
Location
Boardman, Ohio - USA |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|