|
|
Artist description
Trees Like These is (now) a four piece acoustic band with two guitarists, a bass player and four-part harmony vocals. We use many different types of traditional and unusual acoustic instruments including dulcimers, mandolins, cello, and melodica. |
|
Music Style
Alternative Acoustic Folk Music |
|
Musical Influences
R.E.M., They Might Be Giants, Simon & Garfunkel, BareNaked Ladies |
|
Similar Artists
R.E.M. (IRS years), Indigo Girls, Simon & Garfunkel, Toad the Wet Sproket |
|
Artist History
It's the on-again/off-again story of Austin's first and oldest Acoustic Alternafolk Powerhouse.
Started in 1994 as a singer/songwriter duo, the band has had as many as 7 people as members at
one time with over 12 different musicians contributing their talents at one time or another.
They have spent the past 5 years playing in and around Austin, Texas at Coffee Houses, Universities,
Music Festivals, and Restaurants, but have yet to find the right niche. The complex harmonies in
their music appeal to young and old alike. Their debut album, "Grandpa Harry" was released in
1995 and tells a great deal about where the band has been and where they are going. Several
self-produced EPs and Cassettes have been made which track the band's progress as members came
and went. Settling back into four members that have been with the music since it's beginning,
Trees Like These looks to the future with great enthusiasm and a strong sense of familiarity. |
|
Group Members
Mark Couvillion, Spencer Franklin, Stacey Franklin, and Mark Mallon |
|
Instruments
Acoustic Guitars & Bass, Mandolin, Dulcimer, Melodica, Cello, Percussion, Voices |
|
Albums
Grandpa Harry (1995); They Might Be Trees (1997); Deciduous (1998); Tidal Pull (1999); Ken Schaffer's Safety In Numbers Vol. 3 (Compilation, 1999) |
|
Additional Info
T-Shirts Available, Newsletter & E-Mailing List |
|
Location
Austin, Texas - USA |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|