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Artist description
[activities : fields] / A.MUSIC: 1. CODE IMPACT production 2. service by request / B. VISUAL: 1. 2D: design, electronic arts 2. 3D: installations - scene - architecture 3. virtual reality (future plans) / C. PERFORMANCE 1. body treatment: dance 2. live appearance (incl. A & B) - [ideology] / post-humanistic,post-industrial society, global communications - mass media, destruction of classical separation between art forms, processing & transforming, already existing art languages, theory of chaos, fragmentation and decontextualisation, superimposition of various cultural experiences - [references] / constructivism, futurism, suprematism, deconstructive architecture & coreography (daniel libeskind, peter forsythe, jacques derrido), ambiental, industrial,electro body & underground techno music - [names] / [CODE IMPACT] sasha dundovich : sounds, samples, loops & data engineering - allen robert p. : vocals, sounds, samples - igor eskich : sounds, samples & data engineering - maroje mrduljash : visual art & design |
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Music Style
Electronic, Avantgarde, Alternative, Experimental, Ambiental, Industrial, Electro Body & Underground Techno Music |
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Musical Influences
Various...mostly 70's and 80's electronic and avantgarde/alternative bands |
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Similar Artists
(Hard to say....) |
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Artist History
Formed in 1990 as 'Beautiful Losers' - 1992 name changed in 'Code Impact' - All work done mostly in own studio but we also had live! performances in our country (Croatia) and Austria - no records released, no contracts signed - 'homemade' products only - |
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Group Members
Sasha Dundovic - Allen Robert Pejcinovic - Igor Eskic - Maroje Mrduljas |
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Instruments
Electronic gear & Human Voice |
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Location
Rijeka, Rijeka - Croatia |
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