Artist description Politics of the Business is Prince Paul's debut on Razor & Tie, in stores now. It is also the follow-up to two critically acclaimed albums, 1999s A Prince Among Thieves and Handsome Boy Modeling School's So . . . How's Your Girl? (a collaborative effort with Dan the Automator from the same year). For over a decade, producer/DJ Prince Paul has received incredible praise for his artistry, and is also renowned for his production and remix work with De La Soul, Chris Rock, the Beastie Boys, the Avalanches and George Clinton. On his new album, this hip hop legend and visionary reunites with many of his previous collaborators as well as some new friends, including comedians Dave Chappelle and Chris Rock, Biz Markie, Erick Sermon, Chuck D., Ice-T, Guru, Planet Asia, DJ Premier, Chubb Rock, MF Doom, Beatnuts, Tony Touch, and many more.

Artist History Contrary to how the music industry ought to operate, being creative and being commercially successful aren't necessarily scenarios that go hand in hand. Just ask Prince Paul. During his unprecedented 18 year career, the revered producer/DJ/recording artist has experienced every high, low and in-between that the business has to offer-from mentoring De La Soul during the group's chart topping heyday to independently releasing no-budget LPs like the wonderfully eclectic Psychoanalysis as rap music's outsider genius. But whether it's been as the turntable wizard in the original hip hop band Stetsasonic, collaborating with fellow production gurus RZA and Dan the Automator (Gravediggaz and Handsome Boy Modeling School, respectively), or creating conceptual album masterworks like A Prince Among Thieves, Paul's legacy has always been synonymous with innovation. Naturally, his latest opus, Politics of the Business, continues on this highly inventive path. And the title suggests, this time around he channels his talents into a humorous and insightful treatise on the trials and tribulations of the recording industry. The jump off point for this project was Paul's own record label dealings involving his last album, the critically lauded, narrative-based A Prince Among Thieves. Explains Paul: "In my meetings with my former label, Tommy Boy Records, they pretty much dismissed my last album by saying, 'You have no singles.' I was like, 'But it's a concept album.' Then I went through a whole lot of stuff where I wasn't getting paid because of loopholes in my contract-things that I thought I had figured out from so many years of experience. I was like, 'It's always something.' From there I knew my next record was gonna be Politics of the Business." More than just an opportunity to vent about the nonsense involved in the record game, Politics is also about musically leading by example, and it provides its own remedy for the industry's general creative stagnation by delivering some of the most engaging and accessible material of Paul's career. Along for the ride are some of the most respected and recognizable artists in hip hop-Erick Sermon, Trugoy of De La Soul, Guru, Masta Ace, Chuck D, Ice-T, Beatnuts, Tony Touch, Chubb Rock, M.F. Doom-as well as some of the underground's most exciting voices in Jean Grae, Planet Asia, Kardinall Offishall, Truth Enola and Wordsworth. "I think this album is more user friendly than my last one," says Paul. "I don't wanna say it's commercial, but it's mainstream for me. See, I'm usually rebellious in a way where I think, 'Okay, I'm gonna make something that nobody's ever really done before.' With this situation I was rebelling against myself, like, 'Aight, I'm a try to go as mainstream as I can, but still be me. You want singles and guests? That's what I'm a give you.'" This musical approach is typified by "Make Room," featuring Erick Sermon, Sy Scott and Molly Gee, an infectious club banger buoyed by hooky clavinet stabs and vocal samples. "Rock a show, tell them fools at the door/We the ones who the people came for," the Def Squad compadres exhort, conveying the pure exhilaration of those who love to rhyme. With Snoop Dogg's favorite funked up vocal foil, Kokane, twistedly crooning the hook ("What do you say to a man that raps about his car?/So what/What do you say to a man that claims he's a rap star?), "So What" finds Masta Ace and Pretty Ugly trading unimpressed quips about those who exalt materialism. "I just got murdered with all the cats just bragging to me about, 'Yo, I got this, I got that,'" Paul says exasperatedly. "You turn on the radio and it's the same thing. It kind of got me down in a sense. And a lot of these cats is winning. It seems like today a lot of music is based on what surrounds the music, not necessarily what the music is." By contrast, "Not Trying To Hear That," featuring Guru and Planet Asia, and "What I Need," featuring Canadian rhyme stalwart Kardinall Offishall, address the frustration of artists at their wits end. "[What I need is to] empty a couple clips into a label nigga's ass/ And show him my life is worth more than a contract," Kardinall spits over an arresting, ascending guitar-propelled melody on the latter. And "Chubb Rock Please Pay Paul His $2200 You Owe Him (People, Places and Things)" resurrects one of Paul's most famous beats (originally created for De La's "Peas Porridge") as Chubb Rock, Wordsworth and M.F. Doom free-associate verses in an extended metaphor for those who drop names to get put on. "This album embodies a bunch of emotions to me," confirms Paul. "There's feeling good, there's feeling anger with the fact that a lot of things are money driven. There was a lot of things that was kinda going on around me at the time I was recording that forced me to make music to represent my feelings." Some of the most emotional songs deal with relationships-specifically, the difficulty in maintaining one when music occupies most of your time. On "Drama Queen," also featuring Trugoy, Truth Enola, succinctly sums up such situations in a few lines: "First message on my cell/ 'Daddy please come home'/ Second message/ 'Daddy please I don't wanna be alone'/ Third message/ 'I know you fuckin' them bitches out there'/ Fourth message/ 'When you get home I won't be here.'/ Lady givin' me drama more than my soul can accommodate/ Watch your shit, miss/ I need some time away." "Every guy I know who's in the music business who has a girl always got some stories like this," says Paul. "You love your girl, but man, does she stress you! You're like, 'I love you, but get off my back!' And that's a prevalent thing that I've dealt with most of my life." In fact, the subject of infidelity (as a result of relationship tensions) produces what may be Politics of the Business's most startling composition, "Beautifully Absurd," a lovely, acoustic guitar-based number featuring Washington D.C.-based singer/emcee W. Ellington Felton. Wrapping his raspy vocal chords around a folky melody, and somber lyrics about a loved one who's strayed, Felton (the son of cult jazz keyboard hero Hilton Felton) evokes sincere heartache without resorting to melodrama. Ironically enough, the song came to fruition in a most atypical of record business deals. Paul met the aspiring vocalist after a back woods D.C. DJ gig at which he was stranded with no transportation. Felton offered Paul a ride to his destination on the condition that he please listen to his demo. Amazingly, "Beautifully Absurd" was one of the songs on the demo. "I was like, 'Yo, this is really good!'" Paul recalls, still seemingly surprised by the whole experience. "He was like, 'Yeah, yeah.' And I was like, 'No, this is amazing. Rarely does something like this ever happen. I really wanna work with you.'" And the rest, as they say, is history. Of course, a Prince Paul project wouldn't be a Prince Paul project without some real drama. No, not the kind detected in rickety relationships, but skits acted out for audio pleasure. With the help of funnymen Dave Chappelle and Chris Rock (their past collaborations yielded two Grammy's for this comedic duo for Best Comedy Album, Roll With The New-1997 and Bigger & Blacker-1999), Politics of the Business contributes some future classics to Paul's already prodigious canon. "A Day In the LifeÖ" sets up the album with Chappelle as a record exec overly (and insincerely) enthused over Paul's music ("I'm love this shit more than pussy on a Triscuit! Delicious! It's gonna sell!") only to change his tune after the album flops ("Liked it schmiked it! It's all backpackin' music. You're lucky to go double wood with that shit!"). "The Driveby" substitutes gangbangers with gats for aspiring rappers with industry dreams running up on an unsuspecting Paul for pointers. And the title track simply features Chuck D and Ice T doing what they do best: spitting wisdom in bite sized bytes. Not that, despite its subject matter, Politics of the Business aspires to preach a bunch of heavy messages. "One thing I did not want to do was hate," maintains Paul. "Yeah, the game has changed, but too many rappers come out and all they talk about how everything's wack: 'Aw yeah, this is wack and if you breakdance and do graffiti you're real!' I ain't into that. Because I know I don't like listening to preachy rap records, especially by some 'old school' guy. It just sounds bitter. "I just want people to listen to it regardless of what they're into, the hip pop stuff, or the street stuff or 'underground' stuff, and try to relate to what I'm talking about," he concludes. It shouldn't be hard, because making creative and compelling albums is Prince Paul's business-as usual. Aight?

Press Reviews MAXIM - May 2003 "Party Music for your head." FHM - May 2003 ..."One hour of damn good hip-hop." URB - April 2003 ...Paul's beats are exhilarating, a mixture of classic sampladelia and next-shit digitalism that testifies to his enduring expertise... COMPLEX March/April 2003 ...Production is slick...the lyrics, some gold is struck." KING May/June 2003 "Politics does hold its own due to Prince's tight production for his cast of characters to flow on." MAINTAIN April 14, 2003 "He helped define hip-hop as we know it, and is even given credit for inventing the "skits" that help to tie albums together."

Location New York, NY - USA

Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).