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    Artist description
    The original low budget, low concept, out-of-time band.
    Music Style
    Crunge
    Musical Influences
    Love and Vomit, Blisstar, The Backside Boyz
    Similar Artists
    NSync, Puff Daddy, MasterP, Ozzie Ozbourne, Brittany Spears, J.S. Bach. We're nothing like famous 3rd party KORN or other f3p Rage Against the Machine.
    Artist History
    A commode flushed--we answered the call.
    Group Members
    Danny and Bryan as well as many others whom I have selfishly forgotten.This is a D.C./Memphis band. Thank you Willie Herenton for all of your support.
    Instruments
    Guitar, Bass, Drums, Drum Machines, Tig Machines, The Eroticon, and more
    Albums
    Noxious Effluvia, Ferdukia, Bible Belted Big Blackmail, Stomock Master Plan, and more.
    Press Reviews
    As welcome as a Porto-John at a keg party and as difficult to locate as a tampon at a Poison concert, this long-delayed solo effort by Washington, D.C. folk mama's boy Danni C. has finally been forced out, dispelling the rumors of his untimely death in 1968. Presented on Time After Tim are previously unreleased tracks, including "Way Beyond The Bowel," "Penny To My Penis," and, unfortunately, many more. (Review of "Time After Tim")Following in the footsteps of Bob Dylan, who was actually stuck inside of Mobile, Stömöck became a powerful sociopolitical voice in Memphis's vibrant digestive scene before ending his own life in 1977 (sorry, that was Elvis). Captured here are the raw beginnings of that forgettable sound, made immortal for a minute or two in songs like "The Color of Pepto Bismol" and "Suburban Ghetto Grease." (Review of "The Early Years: The Complete Memphis Sessions")Southern swamp boogie blues rock is this group's latest pathetic attempt to reach yet another adolescent market. Calling themselves Dixie Stömöck, this "offering" features heavy helpings of "down home" out-of-tune guitar and preprogrammed rockabilly backbeats that turn up like cowpies in a graveyard. Tracks like "Overturn the Outhouse Mama" overwork the thick-as-molasses roots sound of an old Johnny Winter LP. Put on your feedcap or sheet, & get ready to kick shit. (Review of Dixie Stömöck's "Share a Stall With Shorty")
    Location
    Washington, DC - USA

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