Music Style Crossover

Musical Influences Classic , Jazz , Rock ...

Similar Artists ? :-)

Artist History 1969 first cello lessons at the age of 5 at Prof. Brunhard Böhme in Weimar ( Germany ) 1971 since he was 7 years old extern pupil at the special school of music in Weimar 1978 since he was 14 years old intern pupil at the special school of music in Weimar 1982 examination at the special school of music in Weimar with grade "excellent" in Cello and 3. prize at J.S. Bach award for pupils and juveniles in Leipzig 1983-85 study : composition & programming 1986-88 freelancer as cellist and bassist in East-Berlin in Rock-, Blues-, Jazz-, Folk- und Chansonscene and first compositions for cello solo 1988 escape since tour in Westgermany 1988-91 study at the "Musikhochschule in Saarbrücken" at Prof. Julius Berger, first experiences as street-musician, new compositions, first radio-portrait in "Saarländischen Rundfunk" 1991-93 study at Mozarteum in Salzburg at Prof. Dankwart Gahl. 1/2 year USA with many concerts. stay in South-Africa, Capetown, concert in the Hardrock Cafe. study-assistant at Frau Prof. France Spinguel in Gent/Belgien, interruption of study. composing and exercising . record contract and first Maxi CD "Cellorchestra" at SDP in Salzburg, record contract and fist album "Diabolica" at BMG Classics in Munich, production "Give Beauty" (Cello and Countertenor) at BMG Classics in Munich. 1995 Supportact at one of the biggest german stadion-production(Westernhagen - Affentour) e.g. performances in Niedersachsen-Stadion Hannover, Olympiastadion Munich... TV appearences at e.g. Jürgen von der Lippe,ARD Frühstücksfernsehen, ZDF Mittagsmagazin, bei N3 Swutsch, VH-1, cellist in musical Quintett 1996 move to Hamburg. Portrait (35 minutes)in ARD production "Cello on the Rocks", production of the 2. soloalbum "Alien Diary" at BMG Classics with Marianne Faithful as "Special Guest" and Hector Zazou as producer. 1997 publishing the 1. Maxi CD "Cellaugh". Concert in Germany, USA, Belgium, Austria, Southafrica, France, Switzerlan, Greece... As Nico Lambert in TV-ARD production "Vater wider Willen" with Christian Quadflieg. On air in about March 1998. 1998 Publishing the CD "Alien Diary". Producer: Hector Zazon, Special guest: Marianne Faithfull Foundation of "HUSCHKE MUSIKVERLAG" Foundation of the own lable "HUSCHKE MUSIK" s: "HUSCHKE" and "HUSCHKE MUSIK" The first Songbook for Cello is available at "www.huschke.de" 1999 HUSCHKE-kompositions for orchestra are performed at the austrian "Donaufestival" and at the "Putbusfestival" in Germany. CD-Production GAILER KRACH alias " DISTORTION " (electrocello exclusive) 2000 Moving to Berlin . TV and radio appearences ( SFB , MDR , NDR ... ) The Live - CD "Grenzbereiche" is released on own label and to order on his site http://www.huschke.com HUSCHKE-kompositions for orchestra are performed at the "Putbusfestival" in Germany. Three months autumn/winter tour through whole germany ( 70 concerts ) . 2001 The Live - CD "MITTENDRIN" is released on own label and to order on his site. Long autumn/winter tour through whole europe ( 100 concerts ) . 2002 composition and practising works TV and radio appearences ( MDR , NDR ... ) 2003 Moving to Hamburg .

Instruments Cello , Electric - Cello , Midi - Cello

Albums DIABOLICA , ALIEN DIARY , GIVE BEAUTY , HUSCHKE , HUSCHKE MUSIK , DISTORTION ( GAILER KRACH ) , GRENZBEREICHE , MITTENDRIN ,

Press Reviews The Nigel Kennedy of the Cello - MAX A strength cellist - STERN A crazy Cellist - ARD Develish Cello-Rebel - VOLKSSTIMME No pig even knows me - PLUSZ A man, a Cello, a brand new Sound - MAXI Powerful Cello in big stadium - HALLEIN JOURNAL Sensible firebird with wooden love - MITTELDEUTSCHE ZEITUNG Wolfram Huschke even gets the rain - VOLKSSTIMME Like a suspended Buddha Cello jumps over borderlines - HOHENLOHER ZEITUNG Cello-Magier - REUTLINGER GENERAL-ANZEIGER Der Revoluzzer am Cello - HAMBURGER ABENDBLATT Saiten-Revoluzzer - SÜDDEUTSCHE ZEITUNG Pop-Klassik ohne Zeigefinger - SALZBURGER NACHRICHTEN Verschärftes Cello - NEUE WESTFÄLISCHE Herzerweichende Töne - FREIE PRESSE Klassisch-virtuos und elektronisch-innovativ - OWL AM SONNTAG traveller between the worlds of music: the 32 years old guy from Weimar, who is known to an audience of millions since playing on the Westernhagen-tour last year. In Reutlingen he begins with a Vivaldi-Impression, sets contasts between the Baroque and the temperatein Rain he´s playing some Jazz-like Blue Notes.Classik, Pop, Rock, Minimal Music or Jazz - Huschke seems to beat home anywhere and is very wide-ranged in his palette of musical expressions. Reutlinger Generalanzeiger 6/96 Delight when he´s let loose. For Wolfram Huschke, exzessive and empathic Cello Virtuose, jumps, no husch(kes) easily and full of pleasure beyond musical bordelines. In order to express experienced he stakes on emotions, condenses every days experiences o thrilling There is pain and pleasure in love-relations, all-daysituations and forces of society. Universal his humanmusicalcosmos,becaus all are a piece of the entire. Hohenloher Zeitung 9/1996 Sometimes Wolfram Huschke is quite quiet, a calm, prudent interlocutor. When he took a resty bath , sitting in a solemn hotelroom somewhere in Germany, justresting without the cello in his hands. Actually it fits to his star-constellation: Lions are naturally lazy the 30year-old musician lets to know, but when they want to hunt... It´s the same with his performances. Then the apparently tame Huschke becomes a furie.An unforgettable evening. The classic-audience in Sindelfingen did not just hear perfect music while the performance of the Stuttgarter Kammerorchester in the Stadthalle. With the solists Wolfram Huschke (cello) and Markus Groh (piano) there were two young virtuoses on stage, who are prefigured the conquest of raging, bubbling concert-halls. It starts as if Huschke would sit somewhere outside at the fireplace, comfortly plucking in. But then he lets it squeal, squeak, scream, his foot stamps on the ground. The audience is far away, high, enthusiastic. LUK 18.10.1995 cause just from the way he looks Huschke doesn´t meet the expectation one has in classical musicians. Instead of the expected wild, long hair he weares bald head and an everlasting crocodile-grin from ear to ear. He likes to talk, is everybodys darling, more then ever since Marius Müller-Westernhagens Affentour last year. There he was the first classical musician in a pre-programm of a rock concert and even banished the grand master in the second row sometimes. Plusz 40/96

Location Hamburg, Hamburg - Germany

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