|
|
Artist description
Eclectic six-piece band with varied musical backgrounds serve up a fusion of styles, all linked by a common "pop" thread. From Acid Rock to Zydeco, Funk to Swing, Staghound-X takes what's left of the state of rock & roll and puts it into perspective in the true schizophrenic fashion for which they are known. |
|
Music Style
Hard Pop. Sometimes dark, sometimes heavy. |
|
Musical Influences
Progressive music with a conceptual and/or theatrical flair. |
|
Similar Artists
Nobody. |
|
Artist History
Formed in 1997 in Collingwood, Canada by Peter Anthony (ex Pippy Strange, The Verge),
as an alternative to the steady drone of crap that threatens to keep Ugly Radio alive.
The band has TV and Radio shows to their credit, and plan to tour colleges and
universities throughout Eastern Canada in the new year.
Peter Anthony,(PIPPY STRANGE / INSANITY INC.), has supported many well known
acts thru the 80's and 90's including ANTHRAX,ALICE IN CHAINS,SOUNDGARDEN,
MEGADEATH,SLAYER,RAZOR,SACRIFICE,CORPUS VILE,S.O.D,KREATOR and more.
Since coming off the road in the early 90's Peter Anthony has been writing his own
projects and "jobbing" with various bands. Once again supporting well known acts of a
different kind such as PRAIRIE OYSTER,JEFF HEALEY,DAVID WILCOX,KIM MITCHELL
and BIG SUGAR. Peter Anthony also fronts Canadas Hard Pop Masters STAGHOUND-X
and enjoyed immense chart success in 2000/2001 with the #1 Groove song in Canada/
#12 Worldwide,"Who gonna' be yo Daddy?". Stay tuned..., this trip ain't over yet.
|
|
Group Members
Peter Anthony, Karen Witt, Laura Somers, Blair Jones, Scary Harry, Bruce Campbell |
|
Instruments
Yes. |
|
Albums
Strap On, X-TOPIA, Acoustic X, Top 10 MP3's |
|
Press Reviews
Please see the "Press" section at www.staghoundx.com |
|
Location
Collingwood, Ontario - Canada |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|