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Artist description
Southside Chicago staples The Tossers, are a collision of culture and sound. They have waged war on the traditionally staid and jovial nature of Irish music, incorporating overtly political messages and punkrock ethic. Whether they are ranting about police brutality and government oppression or crooning to heartfelt piano driven melodies, The Tossers are sure to keep you at rapt attention. Citing genre influences ranging from jazz to classic country to avante noise, THE TOSSERS bring together their collective musical pasts to create an explosive celtic-punk soundtrack. |
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Music Style
Punk, Celtic Punk |
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Artist History
Somewhere between heaven and hell waits PURGATORY - a new 70 minute CD from The Tossers. Chicago’s precursor to LA’s Flogging Molly, & Boston’s Dropkick Murphy’s – The Tossers are the perfect Irish hybrid. Influenced by Shane Macgowen and the Pogues in more than a few ways, The Tossers play their own brand of Irish music loaded with attitude and alcohol. Celtic-punk, traditional in nature but steeped in politics and punkrock, the Tossers run the gamut from croon to crass.
The south side of Chicago has a tough, working class reputation. It’s also known for one of the largest populations of Irish this side of the Emerald Isle. So It’s not entirely incongruous that a hard luck kid from the south side of town would choose to play traditional Irish folk music in pubs around the neighborhood. At 18, Tony Duggins was doing just that – playing pub favorites and covers of greats like Ewan MacColl. Before long, he had roped his brother and a best friends into playing original songs he had written, and so became the Tossers. They took their name from the slang term for a miscreant or bum. In the early 1920’s, the Irish instituted their own currency after the southern free state won independence from Britain. British coins became worthless throwaways – “tossers.”
2003 marks the Tossers’ TEN YEAR anniversary. One full decade together playing their own fiery brand of Irish folk music. The Tossers marry traditional instrumentation (mandolin, banjo, fiddle, tin whistle, etc) with the raucous turmoil of punks. They will tell you that they are not a punk band, that they are a folk band. But their incendiary nature, intense live shows, overt politics, and drunken antics make them exactly that. PUNKROCK. From the very beginning, there’s been a dichotomy to the Tossers; sure you can raise a glass, dance and have a laugh, but underneath, this is a band that has something intelligent to say and an undeniable way to say it. Raised on Grand Ole Opry, early rock ‘n’ roll, country hits, and punk, (in addition to Irish classics like the Dubliners and the Clancy Brothers) a wide array of influences keeps the music interesting and unpredictable.
Purgatory is classic Tossers. The band’s fourth full-length album is diverse and chaotic, emotional and raw. From upbeat reels (Nantucket Girls, Come Dancin’) to raunchy guitar fueled rockers (Chicago) to the gut wrenching a cappella title track, the Tossers are fearless in their social, political and religious commentary. Purgatory tells stories of humor and tragedy, wit and wisdom, love, loss, and death. The Tossers can educate you, break your heart, or punch you in the face. In the end, though, they know that sometimes you just have to sit back, crack a beer, and say, “Fuck it. Let’s have a good time!”
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Group Members
Tony Duggins – vocals, mandolin
Dan Shaw – bass, accordion
Becca Manthe – fiddle
Mike Pawula – guitar
Clay Hansen – banjo
Bones - drums
Aaron Duggins – tin whistle |
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Instruments
Banjo, Drums, Tin Whistle, Fiddle, Bass, Accordion, Mandolin, Guitar |
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Albums
Communication & Conviction, Long Dim Road, The First League Out From Land, Purgatory |
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Location
Chicago, IL - USA |
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