Artist description I love most music, but especially indy stuff. There is nothing more fun than turning someone on to a piece of music that they have never heard of, but they end up really enjoying. In my own music I am somewhat limited by both talent and technology, so I just like to have fun and make neat noises...

Music Style Experimental/Electro/Industrial

Musical Influences At the moment I am listening to things like Walter Carlos, Hammerbox, Louis Armstrong, Fuzzbox, Lime Spiders, Chrome, Richard Blade's "Flashback" new wave collections, Red Flag, Grotus, Coil, various Northwest DJ mix tapes by guys like Mike Stevens, Aquaman, Brad Vachal, and a ton of weird/obscure/fun/andor lonely little 7" singles for bands like Killdozer, Code of Honor, The Go-Go's, Autumn, D.I., A-Trak, Guttersluts, Big Stick, Hell Cows and anything with interesting cover art.

Similar Artists Negativland, Nurse with Wound, Cabaret Voltaire, or a decaying old Wax Track tape...

Artist History I started making collage tapes at about 11 years old, and have moved from there into DJing, and now attempted music creation. My music goals include someday being able to DJ on my own Low Power radio station, and maybe have a few 12" singles of mine be played in clubs or at parties once in a while.

Group Members Rick "Echo" Yates: programming, some words, atmosphere...Mariah "The Wife" Yates: finacial backing, argumentation, support...

Instruments A Tandy Sensation 486sx 25 (kicked up to 100 via an Evergreen coprocessor), an old Pyramid mixing board, a Sound Blaster 16, and the Wave Studio file that comes with the Sound Blaster card. Someday I'll buy enough RAM to run a real sequencing program!!!

Albums Curses

Press Reviews Tommy T (of DSBP) said "Good job" on one song I did.

Location Longview, Washington - USA

Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).