|
|
Artist description
Shamelessly commercial, FM-Radio friendly pop band
based in Melbourne, Australia. The band has
members from Australia, the USA and England,
and the musical influences to match. Some members
of the band are still mourning the loss of the 1980s. |
|
Music Style
Mixture of nice pop songs and noisy pop songs |
|
Musical Influences
The Police, U2, David Bowie, Level 42, Noiseworks, Robben Ford, Incognito |
|
Artist History
The band has been performing on the club scene in
Melbourne, Australia for over 18 months now and
carries an established following. We have just
completed the recording of our first cd at Toyland
Studios' 24 track facility in Melbourne; this is now available on
DAM CD through mp3.com. Check out 'Every Word' and 'Reach out for love'.
More offerings available soon (or buy the CD!). |
|
Group Members
David Booth - vocals, sax, acoustic guitar;
Chris Collins - guitars;
David 'Linus' Van Pelt - keyboards;
Sally Hetherington - vocals;
Tony Watson - bass;
Michael Taube - drums |
|
Instruments
all the normal ones |
|
Albums
Perfect Fascination |
|
Press Reviews
mp3critic.com, 17 Jan 1999 (www.mp3critic.com) -
(of 'Blue Eyes 505') "10", "So upbeat and catchy that I can't stop listening to it"
"Rainmaker offers something that the pop generation of today is desperately lacking - talent"; Someone
Else's Problem/Doug Cornell, 17 March 1999 (http://www.listen.to/seproblem) -
(of 'Every Word') "Knowing how to end a song is a trick and Rainmaker practically jolted me out of the chair
with the ending of "Every Word", "Rainmaker succeeds at creating their own sound,
yet remain curiously commercial"; Southern FM Radio (Melbourne, Australia), 20 March 1999 - "Pleasant" |
|
Location
Melbourne, VIC - Australia |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|