Artist description "Scott has a command of the pop idiom like few others. He seems to swallow records whole, let them mix around in his system, and spit out completely fresh interpretations of classic pop elements. Whether as a singer, songwriter, producer or instrumentalist, his control of the art at the heart of the music is masterful." -Clay Farmer (Record Producer, former A&R for IMAGO Records)

Music Style Song oriented groove pop

Musical Influences Brian Wilson, Carol King, Beatles, ELO, James Brown

Similar Artists Todd Rungren, Micheal Learns to Rock, Bee Gees

Artist History Scott McGinley is a seasoned veteran of the music business. He’s worked his way up from the Philadelphia/ Jersey shore club scene to the world class recording studios of L.A. and New York. His recordings have literally led him around the world and back again. International chart success, MTV appearances, and stadium concerts were par for the course when Scott suddenly found himself having to make a decision. Should he stick with his record company’s formula for success (which was, in fact, working), or try to find a way to be true to his art and not be limited by the increasing restrictions that were placed on his songwriting and performances? It seemed the more outward success he enjoyed (four top ten singles and three top ten videos across Asia), the more he felt the need to expand his horizons as a songwriter and performer. But record companies are not known for their interest in experimenting, especially when something’s working, and especially in the pop-rock Top-40 world where Scott was enjoying success. Unlike the other bands Scott formed and led to success (Bliss, New Religion), this current project is Scott at his best....writing, playing, singing and producing the ideas in his head. Much more is on the way. Scott, who has worked with the likes of producer Keith Olsen (Santana, Fleetwood Mac, Foreigner, Pat Benatar), and musicians Jason Scheff (Chicago) and Alex Ligertwood (Santana), is comfortable both in front of, and behind the mixing board. Recording at his home in Collegeville, PA, Scott is finally free to pursue his full range of ideas. This is good news not just for fans of his past projects, but for everyone who wants to see the business of music return to where it should be-in the hands of the artists who make the music!

Instruments Voice, Guitar, Bass, Drums, Keys, Harmonica, Wood Flute, Banjo, Organ, Percussion, sax, accordion

Albums New Religion-Something Worth Keeping, Bliss-Collection, The Insiders-All Mixed Up

Press Reviews Ultra Sound of the MonthUltra Sound of the Month Malaysia, January 1999   Singer Scott McGinley's voice lends upbeat-ness to 'serious' numbers like Even if You Go, First And Last, and Cry Baby Cry, while at the same time grounding the seemingly flighty, groovy Baby He Loves You. And there's outright sensuality in Bigger Than Us Both and Tonight, Tonight.   McGinley also writes most of the original material- with Nothing being a collaboration between him, keyboardist Patrick McCabe, and Thai group P.O.P. Hey Boy takes the cake for being the most honest song on the record, succinctly documenting the crap an aspiring musician has to endure for that all- elusive break; and then realising the so- called big-time sucks, big-time.    Although they do not really need to, Bliss covers the Bee Gees classic Run To Me, Genisis' Follow You, Follow Me, and Tears For Fears' Everybody Wants To Rule The  World. All are laudable efforts.    There is a lack of homogeneity on the album, which puts it above others in its class. Keyboardist Patrick McCabe earns his keep by being the brilliant maestro who holds the threads of the musical landscape together. It is clear that not only are Bliss performers, they are also precise, technically- adept musicians. Blissful listening! Karen J. Tan        Day and Night Magazine Singapore, January 1999    Bliss is a surprisingly enjoyable pop/ rock band. While the songs of lead singer Scott McGinley are quite strong, especially the opener Baby He Loves You and Bigger Than Us Both, it is in the interpretation of pop classics that it shows its talents.    The group's versions of thr Bee Gees Run To Me and Tears For Fears' Everybody Wants To Rule The World are good, but I have to say I'm really quite impressed by the cover of Genisis' Follow You, Follow Me. In my opinion, that little known song was one of the best ballads of the 70s and Bliss has actually done it justice. This is a good pop album. Martin Vengadesan-Lee      From Billboard Magazine, December 5, 1998   Tiger Star, the indie label formed by Chrysalis co-founder Terry Ellis, is currently touring a five-man Brit / American pop act in Thailand in advance of the band's self-titled debut there tuesday. Bliss was formed by singer/ songwriter Scott McGinley, who has been touring the region with New Religion for the past four years.    The band recorded its album in the U.S. in May with well-known producer Keith Olsen (Fleetwood Mac, Foreigner, etc). The 14-track collection features self-penned pop songs and covers like the Bee Gees' "Run To Me' and Tears For Fears' "Everybody Wants to Rule the World." An advance single written by McGinley, "Baby He Loves You," is already getting airplay in anticipation of the album's release. Stuart Watson, chairman of Swat, which represents Tiger Star in the Asian region, says, "The whole plan is to break them as a live touring act."   -John Clewley

Additional Info New Album Coming Soon!

Location collegeville, PA - USA

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