|
 |
Artist description
One Too Many are an up and coming Melodic Punk band from Bristol, England. Formed in 2000 the band has made a mark on what has become a competitive local punk scene. Driven by powerful female vocals, the sound is melodic yet aggressive with a slight metal undertone and all the speed you would expect from any half decent punk band. With a sound not too dissimilar from the likes of AFI, No Use For A Name and Rise Against, One Too Many have a recognisable yet original sound. |
 |
Music Style
Melodic Punk |
 |
Similar Artists
AFI, (early) No Use For A Name, Face To Face, Rise Against, Five Knuckle |
 |
Artist History
One Too Many formed in late 2000 on an Access To Music Course in Bristol. Almost a year later former guitarist, Saul, left the band to join Five Knuckle and Matt joined the band. Half a year later ex-bassist Dave left the band, and Adam replaced him. After playing a string of gigs up and down the country, the band got it's big break playing the Main Stage at Ashton Court Festival in Bristol in July 2002. A month later the band were spotted by Jon from Noo Noo Records and they signed almost immediately.. |
 |
Group Members
Razz (Vocals)
Matt (Guitar + Vocals)
Mark (Guitar)
Adam (Bass)
Owen (Drums) |
 |
Albums
Gingerless EP (Feb 2002) |
 |
Press Reviews
"Impressive young Melodic Punk act building a following and well worth watching" - Venue Magazine, Bristol
"Bristol's ONE TOO MANY opened proceedings by belting out tight, melodic but aggressive punk with an underlying hint of metal. Vocalist Razz had one of those bittersweet voices that can sweetly lull you into a false sense security before unleashing the kind of anguished scream I swear I could still hear three days later." - Trailer Park Trash Fanzine
|
 |
Location
Bristol, South Glos - United Kingdom |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|