|
|
Artist description
Based around Sunny & Dusty, this late 20's crew is your standard collection of guys who really do live "the rock 'n' roll" lifestyle. Draw your own conclusions. |
|
Music Style
A modern approach to classic, arena rock: song-based, groove-oriented rock 'n' roll. |
|
Musical Influences
Heavily influenced by the acoustic-electric songwriters from the '70's with a respect for all great rock from then & now. Frampton Comes Alive is one of the biggest influences (can ya dig it?). |
|
Similar Artists
Peter Frampton, Bruce Springsteen, Joni Mitchell, some Led Zeppelin, a li'l AC/DC at times, even a little (Japanese) Puffy. Steve Miller, Ron Wood-era Rod Stewart, James Gang... |
|
Artist History
Sunny & Dusty Magroovy moved to Atlanta after being exiled from Pennsylvania. Forming "185CooL", a live-in studio/record label/gallery/artists collective and oasis for the lost rockers of intown Atlanta, they pulled in a variety of local talent to create the songs before you. Armed with a tight lineup, boxes of CD's, some cool-ass t-shirts, and more rock 'n' roll stories than VH1, they have loaded up the truck and moved to Beverly...well, actually, Hollywood. 185CooL remains their East Coast headquarters. |
|
Group Members
Sunny Magroovy (vocals, electric, acoustic & lead guitars)Dusty Magroovy (vocals, acoustic guitar)Sean McMorris (bass)Michael W. Allen (drums and percussion) |
|
Instruments
Crappy old Strats, crappy old Marshall 100 watters, crappy old Fender Rhodes, beautiful acoustic Taylors...whatever "crosses our transum". |
|
Albums
FM; 185CooL Sampler I, II, III |
|
Press Reviews
At a festival in Florida, the Magroovies were praised by the press for their ability to drink lots of beer, refuse to wear shirts, and rock out a festival crowd. |
|
Additional Info
T-shirts, stickers, live & unreleased tracks |
|
Location
Atlanta, GA, Los Angeles, CA - USA |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|