|
 |
Artist description
Forgetting Forever is an emo/punk band from Phoenix, Arizona. With influences ranging from emo to grunge to punk to death metal, their sound ranges from crafted acoustic ballads of heartbreak, to technical, guitar-driven punk songs. |
 |
Music Style
Emo/Punk |
 |
Musical Influences
Saves The Day, Dashboard Confessional, Mourning Maxwell, the Juliana Theory, Taking Back Sunday, Silverchair, Local H, Bright Eyes, Drift, the Lyndsay Diaries, Kings of Convenience, Iron Maiden, the Goo Goo Dolls, Yellowcard, Rufio, The Solo Project |
 |
Similar Artists
Dashboard Confessional, Jimmy Eat World, Mourning Maxwell, Saves the Day, the Juliana Theory, the Solo Project, Mest, Letter to Juliet, Further Seems Forever, Feeling Left Out, Drift, Rufio |
 |
Artist History
The band was formed in October of 2001 when Nathan convinced Matt that they should start a band. They began writing songs immediately. John was brought in because as Matt's best friend and a former bandmate of both, they knew he was a talented singer and guitarist. After going through a few drummers and mostly playing as a three-piece, they hit upon Tom, who had ten times the talent, pure excitement and love for the music of any of his predecessors. He was added to the band after only a brief practice of a few songs. Now they are practicing hard and preparing to record something to surpass all their previous efforts at a demo. |
 |
Group Members
John Molina - vocals and guitar /
Matt LeFevers - vocals and guitar /
Nathan Levi - keyboards and bass /
Tom Overholt - drums |
 |
Albums
"A Collection of One" EP |
 |
Location
Phoenix, Arizona - USA |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|