Artist description A collection of musicians in and around Boston, using electronics as their insutrments of choice. The output of each memebr of BNL sounds different, though they are unified in a pursuit of sonic divergence.

Music Style Electronic - all styles

Musical Influences Techno, Industrial, Ambient, Noise, etc.

Similar Artists Boston not London, Aphex Twin, Meat Beat Manifesto, Kid 606, FX Randomiz, Mouse on Mars and turntablists and laptop glitch overs in general

Artist History Chris the Hex said "let's do a comp of all the guys we know!" Thus, it was born.

Group Members Core members include: Chris Castiglione (the Hex, aka Ukuphambana), Andrew Schrock (Entropy Struct), Charles Terhune (cathode ray tube), Jake Bouvrie (B-field); Steve Pescatore (Plex); Aaron Thall (asmodeus spectre); Christian Dahl (Technology Scum); Chris Mehalso (Dummy Plug Conspiracy).

Albums BOSTON NOT LONDON VOUME ONE (1999, CFOM RECORDS)

Press Reviews Grooves Mag #4:"New England continues blowing up with this compilation of various artists based in the Boston, Massachusetts area-hence the name. Bostonnot London underlines the growing importance of Northeast Americans like Hrvatski and the artists featured here in what was once the London-only playground of abstract electronic music. Any compilation this far-ranging in style is a risk, but BnotL mostly delivers. Plex (not Toshoklabs associate Plex, strangely) begins with Cycksy, a track filled with interesting melodic ideas hampered by anemic drum sounds andbass, but answers with his own bouncy Skwerkory later on. Entropy Struct steps up with Clink Feedback, one of several strong experimental tracks he donates. Pick of this comp is Technology Scums fun, Star Trek-sampling hard techno Toys, which adds of energy and sly goofiness to the proceedings. A good start that could be great with Volume 2." -Rob Geary

Location Somerville, MA - USA

Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).