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Artist description
A trans-sensational, intertribal collective of primates banging coconuts against rocks. Masters of fire, gods of groove, slick-bellied otters of syncopation cavorting on the banks of the Big Hit-or-Miss. A thousand beats strong, an army of madmen led by the iron-fisted Kid Vicious. |
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Music Style
Domination of the beats. Funk in freefall. Eleven thousand exploding bananas. |
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Musical Influences
Art of Noise, Daft Punk, David Bowie, Brian Eno, crickets, girls' bellybuttons, caffeine, color wheels, Lake Pontchartrain, boudin, Nomar Garciaparra, William Castle, Zenith O'Clock, urges and consequences. |
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Artist History
Touch Goliath wasn't formed; it was summoned from the muddy Mississippi and the bayous of Louisiana. The beats and grooves shuffled against each other, nudging each other up the evolutionary ladder until Touch Goliath just HAPPENED.
Kid Vicious pulled himself from the muck and shrieked his chilling hyena shriek -- and the army followed him, mud-crusted and bayou-dirty.
Some say he's from Boston originally. Others say Bangkok. Only KV knows for sure.
His generals take the army under their wing, but Kid Vicious is the beatmaster-in-chief, the puppetmaster, the executive funkatron. |
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Group Members
Kid Vicious, Albert the Frog, Theodore Turner Overdrive, Jill Jill Jill |
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Location
New Orleans, LA - USA |
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