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Artist description
Since 1996, Bass Line Dada has built unique aural collages from the accessible
lines of poet Daniel Ari and the irresistible funk of bassist Steve Holzberg.
Irreverent and intelligent, the Bay Area band is known for creating camaraderie
through onstage antics, unusual rhythms, and warm, honest lyricism.
Its musical jigsaw also includes drummer "Rebar" plus many guests on
odds and ends.
This is not your father's dada! |
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Music Style
Rock |
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Musical Influences
Zappa, Tom Waits, Charles Bukowski |
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Similar Artists
Hmmm - must think about this one. |
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Artist History
Poetry to Piano to Comedy to Spoken word with bass guitar to poetry slam word
with bass and all sorts of bizarrica! |
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Group Members
Daniel "Fang" Ari - word, accordian, etc. ||
Reverend Dr. Steven "Blackie Fernwood" Holtzberg - bass guitar, backing word ||
"Rebar" - drums ||
Chris "Mix" Westland - guitar, keyboard, backing word ||
Paul "Even Tone" McNees - banjo, word, guitar, percussion, bizarrica
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Instruments
voice, accordian, bass, drums, guitars, banjo, keyboards, bizarrica |
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Albums
Shoulder of a Hungry Man |
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Press Reviews
Rock in a Hard Place By Sam Hurwitt
The East Bay Express, November 17, 2000
I DON'T KNOW HOW dada Bass Line Dada is, but it is
kind of odd. The Oakland-spawned foursome is putting
out its self-released debut CD, Shoulder of a Hungry
Man (or, to put it another way, "Hombro del Hombre
Hambre"), at the Starry Plough this Saturday, and itís a
grab bag of arty high jinks. Thereís a downtown vibe to
some of Bass Line Dadaís stuff, with Daniel "Fang" Ari
suavely reciting poems about cybersex or getting saucy
(in "Butt Up") with funky bass by Steve "The Reverend
Dr. Blackie" Holzberg. The upscale field holler "Limo
Driver Man" drifts into spoken word with Ari intoning like
William Shatner. But thatís only the half of it: thereís a
zany madhouse version of "This Old Man," and an
absolutely darling pirate song written, drawled, and
plucked on banjo and mandolin by dulcet-voiced Paul
"Even Tone" McNees, with accordion, bass, and hearty
"arrr"s from his bandmates. Other stuff like "Salamander
Gang" with its birdsong recorder, bits of "Swing Low,
Sweet Chariot," and shimmery guitarñis a little New Age
for my tastes, like those scenes in movies where
someone gets bitten by a snake in the desert and has a
spirit vision. But the mini-rock-opera "Sweetness
Bulldozer" is a hectic, goofy charmerña little like "Dick's
Automotive" by the Rugburns, if you're one of the twelve
people who remember that&what with Ari's howling
vocals, Chris "Mix" Westlandís jerky guitar, and the
breathless surreality of it all. Pagan lounge outfit Rosin
Coven, ukulele guy Carmaig de Forest, and presumed
deceased fictional lounge lizard Tony Clifton help keep
weirdness alive at the CD release thingamajig.
[Editor's Notes: The Shatner-esque vocals on Limo Driver
Man are executed by Paul "Even Tone" McNees.
"Salamander Camp" is the correct name of the "other
stuff." Chris Westland is ecstatic to be compared to the
Rugburns.]
Reprinted with permission |
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Location
Richmond, CA - USA |
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