|
 |
Artist description
We intend to create music that will appeal to a wide variety of listeners. By combining a little bit of each of the most popular music styles, we can please a larger audience.
grv, (grōōv), n. Playing music in an exalted mood and in top form. — v.t. To form a groove or grooves in.
union, (ūn’yŭn), n. Act of uniting two or more things into one; state of being so united; coalition. |
 |
Music Style
Alternative Rock with a twist that involves every music style. |
 |
Musical Influences
Nickleback,Puddle Of Mud,The Hives,Blurr,Violent Femms,Tool,,NWA,Stained,Sevendust,Elvis,Beach Boys Ect. |
 |
Similar Artists
No one |
 |
Artist History
The music began with ChriZp and ChiZel in November of 1998. Scott Stewart joined Gruv Union in April 2001. Jeremy Surratt joined Gruv Union in March 2003. Brandon Richardson Joined The Union in Jan. 2002.
We feel that we have the best combination of musicians in the area to make our music, which we love so much. We are always striving to make our music together that will appeal to our fans. |
 |
Group Members
Members & Equipment used:
Chizel - Guitar - Hughes & Kettner amplification--Sennheiser mics
Scott- Drums - Noble & Cooley drums, Zildjian cymbals, Sennheiser mics
ChriZp - Vocals - Sure 58 Wireless--Sennheiser mics
Jeremy Suratt- Bass - SWR amplification
Brandon Richardson - Lighting / Roadie
Pa - Crate amplification, Peavy Overheads, Baringer Subs |
 |
Instruments
Guitar,Bass,Drums,Vocals,Electronic drums |
 |
Albums
On Strike2000,Seething 2001, Paths E.P. 2002 |
 |
Press Reviews
Tommarow & Tonight, MMG , 106.5 The End, Creative Loafing |
 |
Additional Info
Contact us for your event chrizp@gruvunion.com |
 |
Location
Salisbury, North Carolina - USA |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|