|
 |
Artist description
Female Singer Songwriter with abusive vocals, which will devastate the listener. Vocal training meets bad grammar as harmonies are delivered like a bull in a china shop. Guitars mesh in a hissing whine to deliver a euphoric state of convulsion. |
 |
Music Style
Post-apocalyptic Britney Grind Pop to mutilate yourself to |
 |
Musical Influences
My butt, Janis Joplin, the living reality of wasted youth, the Rolling Stones, an angry, rotting soul, Tori Amos, dead puppies, Fiona Apple, various other sad/weird women, Aerosmith |
 |
Similar Artists
Jewel, Tori Amos, Fiona Apple , trite high school poets, Janis Joplin, Sarah McLachlan, Britney Spears, Alanis, Natalie and even Darkwave/Ethereal/Goth, Nine Inch Nails, Marilyn Manson, Korn |
 |
Artist History
In 1998 in Miami, Florida Laura Hodges was convinced to hook up and record this CD. She spent many suicidal nights at home writing bad poetry. Her dream was to either kill or be killed, but instead she teamed up with former Creed guitarist Paul Creelman to record a demo EP. These songs now haunt her like a wicked case of morning breath, but she continues to leave them available to the public: a selfish (on her part) reminder of who she used to be, left open for all to see in hopes that she may never become that broken, wasted human life again. To that special guy who for so many years suffocated her with the soft, downy pillow of his misogynistic and dysfunctional “love,” Laura sends her special thanks. Without you, this album might have been palatable. |
 |
Group Members
Laura Hodges- vocals Paul Creelman- all instruments |
 |
Instruments
Vocals, Guitars, Bass |
 |
Albums
Self - Titled |
 |
Press Reviews
Jam Magazine- FLCity Link- FLGothic Times- NJ |
 |
Location
NY, NY - USA |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|