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Non Credomp3.com/Non_Credo

630 Total Plays
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    Music Style
    experimental art rockers
    Similar Artists
    Ennio Morricone, Art Bears, Henry Cow, Fibonaccis, Kurt Weill, Univers Zero, Portishead, Fred Frith, Wagner, Mahler, none of the above.
    Group Members
    Kira Vollman & Joseph Berardi
    Instruments
    Voice, Percussion, Bass, Clarinets, Keyboards, Marimba, Cello, Guitar, Accordion
    Albums
    Happy Wretched Family, Reluctant Hosts
    Press Reviews
    Non Credo, HAPPY WRETCHED FAMILY: Some bands want to rock and roll all night and party every day. Bands like Non Credo, fortunately, understand that the proper role of night time is to scare the fuck out of you (I didn't mean that literally, although lyrics like "His body conceded his yield; there's a good boy... He turns away feeling sick for tasting all forbidden fruit dropped along his way" suggest less than full respect for whatever fuck remains in you). And the daytime? Well, that's for voice lessons and the most neurotically inventive production re-takes you could ask for. Kira Vollman, in addition to playing clarinet, bass guitar, lead guitar, and keyboards here, is probably the single most impressive vocalist in my music collection. Not necessarily my favorite, but the most controlled, every word, pitch, choice of octave (from deep contralto to glass-smashing soprano to kneecap-smashing alto hiss), nuance, minor roll of the tongue. She writes and vocalizes the opening track as a Latin mass, the first of many tricks, all of them by her as sole vocalist--- her other styles include pop song, writhing speech-in-tounges, soft tongues-in-cheek, sprechstimme, and wordlessly melodic oratorio, switched among at a moment's notice for appropriate dramatic effect. Add in a bit of processing and radio sampling, and "Miliza Three Flights Down", over its warped drumming, sounds like as a one-act play featuring a choking opera soprano, a hapless Nazi officer from a tasteless sitcom who rescues her and restores her to operatc normality, an English-speaking mouse, a choir of Valkyries, an annoyed neighbor, and John Belushi as Samurai Florist, plus two computer-generated voice s calling in their parts over defective phone lines. I suppose you could ask why--- but I'd answer "cuz it's really cool". As for the playing, she and Joseph Berardi (drums, percussion, marimba, keyboards, cello, viola) are great examples of why a v ant-garde bad notes and weird timings are different from junior high orchestras doing the same: just a continual and clear sense that everything here has been carefully selected as the single aptest option, and that playing a different wr ong note, or maybe a right one (which happens when necessary), has been considered and rejected for plain old ineffectiveness. Does it sound like anything? The melodies recall the Slapp Happy/ Henry Cow collaboration DESPERATE STRAIGHTS. Th e st range layered rhythmic textures are like Laika when calmest and somewhat Miranda Sex Garden-ish at densest. The ambience is much like Portishead, in the soundtrack noir and the cynical female-voiced words, but far busier. The strings su g g est alternate opening themes for Jaws. If you don't know those names, well, keep the adjectives surrounding them and assume Non Credo sound weird, okay? Even if you do follow the comparisons, they don't account for the keyboards. Now, in du st ria l music is pretty gloomy, but it does seem built around the notion that machines work: clang, 2, 3, 4, clang, 2, 3, 4. What Non Credo make, as decoration not main content, is industrial music for a world where record of your cre dit paymen ts gets eaten, where your computer "has commited an illegal operation" and it punishes you, where your TV gets static and your electrical connections get erratic, where those power brakes you never asked GM and Ford to invent require a f ew sec onds to get the power going. The irony, of course, is that sounds like that are far harder to make than a programmed Energizer loop, especially when you care about making it sound good. Truth ain't just stranger than fiction, it's more work. Aren't you glad Non Credo did some of it for you?
    Location
    Los Angeles, CA - USA

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