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Music Style
Post Punk |
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Group Members
Jason Parker - vocals, bass
Justin Howley - guitar
LDZ - drums |
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Albums
Lure of the Animal |
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Press Reviews
www.splendidezine.com
I was first introduced to Lure of the Animal
at the last show of the vastly under-appreciated
Raft of Dead Monkeys (who split up due to singer
Jeff Suffering's desire to concentrate more fully
on his other band, Suffering and the Hideous Thieves).
Before Lure went on, a friend of mine told me that they were
"kinda garage rock, but with the best bass player you've
ever heard in your life". Well, he was pretty
much right about the bass player bit;
although perhaps not the best I've ever seen,
Jason Parker is certainly a force to be
reckoned with. The fact that he's also the
singer makes his work even more impressive.
However, the description of Lure as
"kinda garage rock" pretty much misses the
point entirely. While there certainly are
elements of garage rock in their
sound -- mainly in Parker's raw-throated
vocals and the guitarists' sleazy, dirty lead
lines -- there are also many other elements
that influence the group's sound. In fact,
Lure's greatest strength is that they are not a
one-trick pony. Although this self-titled CD
(which, for some reason, the band was giving
away after the show, though I would have
been more than happy to pay for one) lacks
the sheer intensity and energy of their live
show, it still displays a young band in peak
form. A track like "Shots in the Hall" can go
from a dissonant, screamy verse to a soaring
chorus with an amazing, melodic bass line,
to a great, Fugazi-esque bridge with the
guitars locking in unison and the bass
carrying the melody. Although the band
maintains an upbeat, aggressive tone
throughout the album, there's more then
enough variety here to keep me happy.
From the straight-up riffage of
"Smear Campaign" to the poppy, piano-led
instrumental "Cornstarch March" to the
damaged, garage-y funk of "Canvas", these
boys make it clear that they have quite a few
tricks up their sleeves. Even when the guitars
are a-snarlin' and the singer is a-growlin', the
band has the smarts to inject the requisite
amount of melody into their tunes, making
them catchy and addictive. Betwixt the thick
riffage of tracks like "Sissy Has Scars" and
"Smear Campaign" lurk melodic, spooky
organ lines, and when you least expect it,
the guitars and bass will come together,
poking a truly anthemic, melodic moment
out of the mix. The disc is fairly brief, but Lure
of the Animal displays more than enough
ingenuity and inventiveness in these eight
songs to make me believe that they have a
truly excellent full-length in their near future.
I await it eagerly. -- Jeremy Schneyer |
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Location
seattle, wa - USA |
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