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Artist description
"...you've written a little, but in secret. And
it wasn't good, because it was in secret, and
because you punished yourself for writing, because
you didn't go all the way; or because you wrote,
irresistably, as when we would masturbate in
secret, not to go further, but to attenuate the
tension a bit, just enough to take the edge off.
And then as soon as we come, we go and make
ourselves feel guilty--so as to be forgiven; or to
forget, to bury it until the next time.
Write, let no one hold you back, let nothing
stop you: not man; not the imbecilic capitalist
machinery, in which publishing houses are the
crafty, obsequious relayers of imperatives handed
down by an economy that works against us and off
our backs; and not yourself."
c is an( )other music, provisionally; c is a
manipulation of the old forms to show what they
do. c does something else, in a different voice,
somewhere other than the mouth. c may very
tellingly be short for 'contradiction,' but it is
a useful one.
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Music Style
deep digital fluids and (other) useful contradictions for the cowboy hat and glasses set |
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Musical Influences
james brown, parliament, david bowie, prince, coil, zbigniew karkowski, 0/mika vainio, hecker, rsundin, erik satie, marcel duchamp, luc ferrari, the locust, francisco lópez, steely dan, weather report, alfred schnittke, iannis xenakis, steve reich, more or less everything we can get our hands/ears on. we're historians, like. |
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Similar Artists
that's not for us to decide. |
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Group Members
andrew salch--vocal, guitar, field recordings; composition.
ritchie young--field recordings.
katherine provancher--vocal recordings. |
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Instruments
mics, guitar, patches, software |
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Location
portland, oregon - USA |
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