|
 |
Artist description
Raw42.com: "Born in Munich, Germany, Oliver Rehbinder first started producing German new wave music in 1980 using vocals, electric instruments, analogue keyboards and Korg synthesizers. In the years since then, Rehbinder has played many roles in the music industry. In 1985, he took up bass guitar (alongside his producer role) with a series of Jazz fusion / rock live bands and in the early 90's he provided technical seminars for vocalists. In 1995, he released the guidebook "1 Hz fuer Saenger" (1 Hz for singers) as a result of a 2-year technical series he wrote for German music magazine "Soundcheck" (together with co-author and singing teacher Gabi Braun). Since 1996, Rehbinder has broken from tradition and focused his musical talent on exploring the realms of abstract and ambient sound - what he calls "Ambient concrète." Oliver Rehbinder has released 13 albums."
|
 |
Music Style
Ambient, mental-experimental-eclectic |
 |
Group Members
Oliver Rehbinder (executive composer & producer), various artists |
 |
Instruments
not limited in any way |
 |
Albums
Rehbinder CD releases: The Sophisticated Five - Ecstasy Jazz (1986), The Great Conclusion (1988), Hey Man! - The Lisa Keller Period (1988), Pilgrim (1989), The Third Movement - Ring (1991), The Earth Is But A Disk (1991), Another Seven Seconds For Mister Caruso (1992), Vivid Installation (1994), Rapid Noise (1997), Artificial Stupidity (1998), Dimension Morning (2001), Ambient concrète: Meditations (2002) |
 |
Press Reviews
Mindscapes review on Audiogalaxy (06/2001): "Interesting post-industrial experimentation. Dark and dirge-like and German, but about as far from Rammstein as you can get. Abstract and varied and good, except for some recording quality issues. Recommended."
|
 |
Additional Info
Info & resources available at http://www.mindscapes.de |
 |
Location
Munich, Bavaria - Germany |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|