|
|
Artist description
The style of Eyes Like Mars lies somewhere in this new generation's reflection on the Swing Era-- the sounds, the poetry, the experimentation, and the belief that somehow, inside of this music streaming from another scene of vanity and vice, there is purity, and the world is moving up. You get this in a lot of ways from the band... from the high-step clothes and backroom ambience, from the presence of Gabrielle--on stage she is a mountain of femininity, her voice striving and climbing, as if she were a piece of something larger that hasn't been seen since Billy Holiday.You get it from the words of G.A.R.--his piano, his poetry are a new take on the dissonance of Thelonius Monk, the frustrated passions of Henry Miller, Sylvia Plath. Eyes Like Mars is standing where Kurt Weill, Charlie Mingus, Tom Waits, Soul Coughing, John Zorn, and Kip Hanrahan have been going... a sound that evokes a time in a generation's fantasy-- a time they cannot remember but only reinvent.Please listen to, and enjoy, the sound of Eyes Like Mars. |
|
Music Style
lounge, jazz, pop, spoken word, swing, rave |
|
Musical Influences
Waits, Mingus, Prima, Portisehead, Zappa, Holiday, Squirrel Nut Zippers, Hanrahan, Kurt Weill |
|
Similar Artists
Tom Waits, Portisehead, Soul Coughing |
|
Artist History
Formed in 1995 in Seattle, played throughout the NW and west coast, and enjoying strong local radio play of their debut album Act III, scene iv. |
|
Group Members
Gabrielle - vocalsG.A.R. - keys, vocals, hornsTom Hemba - percussionBryce Tanner - clarinetNeil Wilson - drumsIan Rashkin - acoustic bassMany special guests - strings, horns, vinyl, guitar |
|
Instruments
piano/keys, acoustic bass, drums, percussion, clarinet, sax, trumpet, trombone, guitar, vocals |
|
Albums
Act III,iv. |
|
Location
Seattle, WA - USA |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|