|
 |
Artist description
eggs and sex |
 |
Music Style
Groovecore |
 |
Musical Influences
Frank Zappa, Mr. Bungle, Faith No More, the Doors, The Red Hot Chillie Peppers, Led Zepplin |
 |
Similar Artists
Mr. Bungle, Faith No More, The Red Hot Chillie Peppers |
 |
Artist History
Once upon a time....bla bla blablabl blabla.....Sugarfist! |
 |
Group Members
Michael Labieniec: Guitars and backing yelps, Art Kurpaska: Drums, Percussion Kevin Brennon: Bass Jenn Jacobs: Vocals John Labieniec: more Vocals Chris: Trumpetts and Keys Damon Adams: Turn tables |
 |
Instruments
Guitars, Keyboards, Trupets, Drums, Percussion, Bass, vocals |
 |
Albums
Stinky Pinky (2000), The Caffine Carnival (2001) |
 |
Press Reviews
One band that can never seem to get too far from my CD player (or my playlists) is Sugarfist. Sugarfist (www.sugarfist.com) is a vicious assault on the senses. Their music is a fresh blend of aggressive heavy guitars combined with outlandish keyboards and some of the most unique musical arrangements I've ever heard. Led by guitarist Mike Lebieniec, Sugarfist's sound is a plush assortment of musicality, which many would think, have no earthly business being together. The band harnesses the power and dynamic range of Faith No More with the psychedelic overtones and melodicism of Jefferson Airplane. And, they are as diverse vocally as they are musically. Featuring the dueling leads of Jenn Jacobs and John Lebieniec, Sugarfist can melt sweet harmonies (think late '60s, early '70s) into angry growling (ala Pantera) in a split measure. Wild, wonderful and different. I guarantee you've never heard a CD like "Stinky Pinky," Sugarfist's debut album. If you're ready to challenge the conventions of music, you must check out this band. |
 |
Additional Info
Meow |
 |
Location
Hartford, CT. - USA |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|