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Za Frumimp3.com/frumi

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    Artist description
    Za Frûmi is melodic mood music from a dark fantasy setting. The album centers around a wayward group of orcs, and their adventures in deep forests and mysterious castles. Deep flutes, rythmic drums and atmospheric ambience combine to grant enthusiasts everywhere a unique experience.
    Music Style
    Dark Fantasy Music
    Musical Influences
    All sounds of nature and beyond....
    Artist History
    Za Frûmi is Simon Kölle, Simon Heath and Donald Persson. Influenced by the Uruk-Hai and their language, the artists started the project now known as Za Frûmi. "Za shum ushatar Uglakh" is the first album from Za Frûmi and is quite different from the normal fantasy inspired albums out there. Using theatrical dialogue and spoken entirely in orcish, the album tells the tale of a clan of orcs caught in their struggle against a mighty vampire lord. A translation of the dialogue is included in the booklet, so those who do not know orcish (and most people don't) still know what is happening and what the orcs are saying as the storyline progresses.
    Group Members
    Simon Heath Simon Kölle Donald Persson
    Instruments
    20+ Instruments AND MORE!
    Albums
    Za Shum Ushatar Uglakh
    Press Reviews
    Let me preface this review by mentioning that Allan has never read The Lord Of The Rings (even with his extensive D&D experience...hmmm). Za Frumi is a group of Swedish musicians, disenchanted with the black metal scene, and the music scene in general, who were compelled to look elsewhere for the magic and mystery they felt was lacking in modern music. The result is 'Za Shum Ushatar Uglakh', a musical tale of a clan of orcs and their battle against a mighty vampire lord! That's right, orcs. The story goes like this (from the liner notes): "Join the epic voyage of the orc leader Uglakh and his compatriots. Their adventure begins in the deep lustrous forest filled with the sounds of the wild and the roar of a great fire. Around it sit the Uruki Uglach, awaiting the mysterious primal dance of their shaman. The morning after, the uruks, compelled by their mystic shamans advice to Uglach, attack an old castle. After the raid, the subservient Golug Fachtal and his more adventurous kinsmen Yagui forage the forest, and set out to build a watch tower. After a frustrated argument about a toadstool, the wet Yagul and the other orcs begin building a tower, while the dagalush Knish and his kapuli friend go further afield, and find a deep sea beach, where the melodious elves are making sweet music. Later, we join the clans march during a night filled with wonder. They press constantly on, sometimes marching, sometimes sneaking. After a short stroll in the forest, Uglakh and his clansmen happen upon the dark, brooding castle of the dreaded vampire Ismael. The journey through his dark castle has two parts, with mysterious subterranean chanting and majestic orchestral sounds. They face many perils there, and end in the final battle with Ismael in his greatest chamber." Much like a radio play, the whole drama is played out via dialogue (more on that later), ambient sounds and incidental music. So simply as a musical story, utilising dark ambience, cinematic soundscapes, the sounds of life in the forest (sticks crackling, wind blowing, water splashing, swords clashing) and a litany of grunts and growls, which is the dialogue spoken entirely in orcish (for real! -- a handy translation is included in the booklet for those not fluent in the tongue). It's really interesting and quite entertaining. But the music, taken on its own, is quite an epic dronescape (albiet littered with very un-drone like segments). 'Za Shum...' is a strange mix of dark rumbles and throbbing pulses, simple clattery rhythms and tribal workouts, grunting and growling and roaring (that could be electronic rumbles or misplaced death metal vocalists if you didn't already know it was orcs) and the occasional folky flute interlude. Imagine the No Neck Blues Band jamming with Jonathan Coleclough or Andrew Chalk, with Chris Barnes (Cannibal Corpse) or Glenn Benton (Deicide) grunting the dialogue with the Thai Elephant Orchestra as their rhythm section. It's that weird. It's that cool. /Allan, Aquarius Records
    Location
    Lidingö, Lidingö - Sweden

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