|
 |
Artist description
"Stealth Destruction" is not just a band; it is a force of nature, it is emotions, music, words, and dance. It is the old time variety show, this time from hell. Experiencing unconventional ideas through music! |
 |
Musical Influences
Black Flag and Frank Zappa |
 |
Artist History
A little history on how all this came to be: at 19 Drew moved to Seattle and started his first punk/grunge band "Ritalin Children." He took on producing, song writing and management of the band. The Seattle scene exploded and he was in the thick of it. It was during this breakout time he brought together and produced "Boner" a live record with members of Black Flag, Minutemen and various stars of the Seattle scene including, 7 Year Bitch, Tad and Gruntruck. After 4 years of recording and touring with his "Boner" comrades, he was invited to collaborate with guitar mastermind Paul Radabaugh and Jeff Mates creating "Narcoleptic Air Force" a fusion prog rock band. Drew produced the band at the Blasting Room in Fort Collins, CO. Getting the band out there where his long time idols "The Desendence and ALL" resided was Drew's mission. Being the only guy in the international touring, all girl, punk rock band "Snap-Her" was a drumming gig Drew couldn't refuse. They recorded in San Francisco and Drew was full circle moving back to LA where he grew up.Next up, "The Draggs" had a pop punk influence, with a female lead singer. For two years they toured, played LA and had the opportunity to work with the "Long Beach Dub Stars." Drumming and managing "The Draggs" wasn't enough, Drew picked up the pen again, writing the first and raunchiest book of Internet sex, "Cyberlove." Followed by another poetry book "Stealth Destruction." |
 |
Group Members
Drew:Vocals/Guitar, Bizzy-Bee:Bass, Kevin:Guitar, Paul:Drums |
 |
Location
Hermosa Beach, CA - USA |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|