|
 |
Artist description
I have been working on programming, remixing, and other
electronic aspects of music for 8yrs to date. I started
to learn how to program my first drum machine while I was
in the seventh grade. I had been taking private instruction
for percussion and piano that summer and was introduced to
the electronic drum set. Ever since then I have been completely
infactuated with the electronic world of music. |
 |
Music Style
Industrial, Noise, Minimal, Power Pop, Synth Pop, Drum and Bass, Breakbeat, Rapcore. |
|
Musical Influences
Snog, Aphex Twin, Nine Inch Nails, Prick, AE, Prong, Ministry, Nirvana, Nick Cave and the Badseeds, Bjork, Pop Will Eat Itself |
|
Similar Artists
? |
|
Artist History
I have worked with such bands as but not limited too:
five star reject
desolate image
model#24
fifth seal
razor wire halo
radioactive plastic
liquid dream
jezebel inc
my boyfriend the pilot
sixty below
die sect |
|
Group Members
David Turner, programming, lead vocals, samples, drum programming.
Outside resources and live members include:
Aubrey Finch
Joseph Otero
Anthony ferro
Hallee Sandling
Gabe Arnold
Michael Turner
AJ Whitehead
Dustin Tobey
Phil Bryant
Jason Abraham
Jason Tunrer
Trevor Turner
and a shitload of others that I will remember to give
credit when you call me and bitch me out. |
|
Instruments
Alesis QS6.1, Boss Dr-660, Peavey RQ220, Propellerheads Reason, Rebirth, and Recycle, Steinbergs CubaseVST32, Cakewalk Pro Audio 9.3, FruityLoops 3, Cool Edit 2000 Pro, Sound Forge 5.0 |
|
Albums
580 Manipulations by David Turner |
|
Press Reviews
www.kcgoth.com, www.kcgraveland.com, www.thepitch.com
www.thezone.org, www.mp3.com/fivestarreject, www.hardcorepromo.com |
|
Additional Info
Look for remixes by fivestareject |
|
Location
Independence, MO - USA |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|
