|
|
Music Style
experimental noise |
|
Musical Influences
Skinny Puppy, Throbbing Gristle, Thomas Ligotti, CY:RX, adictomy, Side 3, Paul Lanowski Ramtell, The User |
|
Group Members
]I[ : Samples, Wave manipulation, Keyboards, Vocals, Programming |
|
Instruments
modified pc: AMD XP2100, 768 MB DDR PC2700 RAM EEC, Dual 48 Gigabyte Hardrives (1. 7200 RPM IBM Deskstar 2 MB Cache [storage disk] 2. 7200 RPM Western Digital 8 MB Cache [write disk] ), 48x12x48 SONY CD-RW, Midiman M-Audio USB QUATTRO (4-in/4-out Audio Interface with MIDI and USB, 2 Mic Inputs w/ preamps, 4 FX Sends, 2 Monitor Outputs [1/4"] |
|
Albums
To Dismantle Insects |
|
Press Reviews
Editorials, Reviews, Quotes:
"Listening to this is like being on a post-apocolyptic conveyor belt whose only purpose is to consume human flesh."
Jason Finch, 'Static Transmissions'
"...is very playful, not in a fun way. Atmospherically hopeful, but gloomy, somewhere far off. But immediately threatening your sanity. I played it (to Dismantle Insects) for a week and toward the weekend my roomates told me they couldn't handle it anymore. I left it on."
Michael Carey, 'Prince of Stories'
"Listening to the beginnings of White nois Stasis, and listening to them now, you can hear ten years of evolution, achieved in two. Definitely way ahead of their time."
Jason Malign, 'Static Transmissions'
"He pays careful attention to every measure. It's nothing like I've ever heard, but I'd like to hear more."
Gene Loomis, 'Hobos Lullaby'
"This is some of the best stuff I've heard in a long time."
Matt Slagle from Side 3
"Very potent. I remember sleeping in the studio once while
][an was up all night working away. The dreams I had..."
Nick Taylor, Liquid Binary Records |
|
Location
Ithaca, New York - USA |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|