|
 |
Artist description
Basket Full of Shrooms and Tin-Fore are lo-fi, drinking, fun, and intelligent in the guise of silly. |
 |
Music Style
Drunken Acoustics |
 |
Musical Influences
Hanks (1,2,&3), Johnny Cash, Ween, Sebadoh, Willie Nelson, Palace, etc. |
 |
Similar Artists
Sounds like nothing else |
 |
Artist History
Felicks Brown members Benjamin Enoch and Joseph Garcia went to friend Clint Crossno's grandparents toolshed one night. A strange avant-garde band was formed. Using the equipment at their disposal, they created "Basket Full of Shrooms". Inspired by a guy from their town who sat around for an entire evening trying to decide what psycodelic were sold in.Tin-Fore, mainly Crossno and Enoch, but features Clayon Richardson and Daniel Copeland, was recorded on New Years Eve and New Years Day in Paris TN, 1998-1999. It is a bit more relaxed than Shrooms, but equally entertaining. |
 |
Group Members
Basket Full of Shrooms: Clint Crossno-vocals, harmonica, tools, beercans. Benjamin Enoch-guitar, vocals, paperbag, beercans, hammer, harmonica. Joseph Garcia-guitar, vocals, harmonica, tools, beercans, whistling. Tin-Fore: Clint Crossno-vocals, guitar. Benjamin Enoch-guitar, vocals, bongos, backing vocals. Clayton Richardson-bongos on "Mick Love". Daniel Copeland-2nd guitar on "Punk". |
 |
Instruments
Guitar, voice, beercans, bongos, harmonica, maybe more? |
 |
Albums
The Existential Intoxication Via American South: A collection |
 |
Press Reviews
The double release of Basket Full of Shrooms-Toolshed Melodies and Tin-Fore's Cattle Rustlin' is a victory for light-hearted fun and music. If Ween drank more, and made an all acoustic album, it might sound like this. This is the Paris, TN/country version of the Freed Weed. "The Existential Intoxication Via American South" is a unhearlded classic.-Ricky Robbins |
 |
Location
Paris, TN - USA |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|