Artist description The central themes of these compositions range from treatises on everyday objects to simple reflections of emotional states. Synthesizers, sample sequencers and reclamated sound are given equal billing in a blend of styles and influences running from the early 1980s to the present. These "works" represent for me a personal endeavor, which has not had the intention of pleasing an audience, but at the urgence of others I have decided to expose them publicly.

Music Style trance/electronic industrial/hardcore

Artist History I began my first experiments with electronic music in 1990, using a dos based pc and a tape recorder with masking tape placed over the erase head. Using VocPlay and a stop watch, loops were composed, expanded and layered. Since then, I've worked with trackers, sequencers, MIDI, fractal composition, signal processing and the like. Although I have been writing music in this genre for 11 years, this posting represents the first exposure of my "work" to a potentially larger public audience beyond family and occasional friends. If anyone is interested, I can post some of my early experiments, although recently I've gotten an urge to rework them using modern technology.

Group Members Damon Hill: composition, programming, knob fiddling, keyboards, acoustic guitar, software design and experimentation

Instruments physical objects, simulated physical objects, and the limits of computational completeness

Albums NDA, another ice age, oblong orbit (in progress)

Location Hampton, Virginia - USA

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