Artist description I admit being crazy. I admit being slightly dangerous. I admit that I am weird. I admit that I make music for fun. I admit that I have never had real musical education. Who cares? I don't. I admit that.

Music Style Whatever suits my state of mind, but it's always electronic

Musical Influences Adam Beyer, Aphrodite, Apollo 440, Autechre, Basement Jaxx, Blaze, Chemical Brothers, Chosen Few, Decoder, Detroit Grand Pubahs, DJ Krust, DJ Promo, Dom & Roland, Drexciya, Ed Rush & Optical, Faithless, Feindflug, Future Cut, Groove Armada, Hard Creation, Hi Gate, Josh Wink, Konflict, Krafty Kuts, Kraftwerk, Laurent Garnier, Laurent Hô, Oliver Chesler, Orbital, Marshall Masters, Mickey Finn, Moby, Mr. Oizo, Neophyte, Panacea, Pascal Feos, Paul Johnson, Photek, Ram Trilogy, Shaft, State of Play, Superfunk, Sven Väth, Technical Itch, The Masochist, The Prodigy, Thomas Krome, Wayward, Westbam

Similar Artists Depends on the style of the track: Neophyte, The Masochist, Technical Itch, Underworld...

Artist History Started tracking in 1996 when a classmate handed me the program ScreamTracker 3. Switched to Impulse Tracker 2 when I got an internet connection and started downloading hardcore tracks, mostly by UCP and then came to ModPlug player and tracker, with which I learned to create frequency cutoffs. When I got my first MMX-accelerated CPU, I went back to 100% Impulse for arranging but I had discovered some very neat programs for creating my own samples. Then the really kewl post-production tools set foot into my home...

Group Members Corné Hoogendoorn, The Crippler himself

Instruments 1 PC with software: Reason, Impulse Tracker 2.14, ModPlug Tracker, Orangator, Cubase, CoolEdit, Rebirth, Stomper, SynthEdit, GranuLab, Zerius Vocoder

Location Werkendam, Noord-Brabant - Netherlands

Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).