|
 |
Artist description
My primary interest is the confrontation between time and the fear of time and the relation between sounds. Out of this subject make experiments on the discontinuity of the material world. |
 |
Music Style
Contemporary, Experimental, Electronic |
 |
Musical Influences
Michael Nyman, Nine Inch Nails... |
 |
Artist History
1999-00 CD: "ASI", "ANDALOU" and "DYPTIQUE". 1999 Composed musical score for a pilot video "Super ZinZin", Nice (France).1997 Broadcasted five original experimental videos on the Internet for the 20th MANCA Festival (Music Topical Nice Côte d'Azur).1995-96 Composed for choreographer Joel Borges Production "Humeur Vitrée" for the T.N.D.I. Château Vallon' Dance Festival 1996. 1992-95 Recorded personal compositions at Meli-Melo Sound Studio, Cagnes-sur-Mer.1991 Composed for the Philippe Maurin Show "La Face Cachée de la Lune" for the 13th MANCA Festival.1990 Composed for Choreographer Susan Buirge for the anniversary of Valrose Castle, Nice.1988 Directed short movie "Love Fish" in 16 mm.1987-89 Conducted consecutive art acoustic installations "Travaux en Cours", "Salle d'Attente", and "Bla-Bla" at Arson' house.Directed and participated in acoustic and painting "Happening" for the "Le Parfum des Arts de Grasses" Festival, Art-Junction, Eureka Gallery, and Verbes d'États.1986-89Directed thirteen experimental videos on the relation between sound and picture.1985-00 Composed extensively during this time period.EDUCATION Earned the Higher National Diploma of Artistic Expression with Distinction at E.P.I.A.R. College (France). Major in sound production. (Equivalent to a MFA degree in the United States) |
 |
Group Members
Alain Leriche |
 |
Instruments
Synthesizer, Sampler |
 |
Albums
ASI, DYPTIQUE and ANDALOU |
 |
Location
Brooklyn, New York - USA |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|