|
 |
Artist description
The Cyanide Tamales have never been a band to hide their talent under a bushel, but with Around the Cat (in Eighty Days) those dangerous condiments have truly outdone themselves. Whether pondering a doomed love affair in "Stupid Girl" or using the playing field as a metaphor for humanity's fall in "John the Jock," this fourth album from the CT's is as cerebral and surreal as even the most enigmatic of Fellini's films.Five of the nine tracks on this independently-released cassette appear in the Tamales' brilliant cinematic effort, A Bad Idea Gone Worse. Even the least fanatic of the CT's fans is well-acquianted with the turbulent, behind-schedule, over-budget production of the film (this is well documented in Premier, Iss. 56 and 58-60). However, Around the Cat stands as a testament to the perseverance and grit of the Cyanide Tamales. Good things take time, and the film, while a year in the making, produced gems that achieve their true lustre on this album. Most radiant is "Potato," the final track on the cassette. The most striking feature of "Potato" is the brash power-chording of axe-master Josh Kamensky, who calls to mind the thickest walls of sound ever erected by the likes of the Velvet Underground and the Byrds. The other Tamales are equally talented musicians, all playing multiple instruments, including some new and imaginative ones, as well as vocals. David Goldberg's soft and melodious voice dominates the album and seems to float out of the stereo. Dave also plays the puppy. In addition to the guitar, Kamensky also appears behind the keyboards, samplers, sequencers, MIDI-equipped computers and the scratchything. Brent Courtney knows how to please a crowd with a baritone saxophone, but his finely honed skills on the bass, the malted waffle and the herring are certainly not wasted on Around the Cat. Matthew Heitz, puzzlingly known as "Flopsy" to those who know him, programmed the drum machine and played a clarinet. The song-writing abilities of the Cyanide Tamales are always truly phenominal, but their latest album is the best evidence of this yet. Diversity is the watchword here. One of the songs not appearing in the film is "...And the Pachyderms Walked Away," a somber, yetunencumbered and frivolous romp through the Elysian fields of the Tamales' minds. "Fascist Burrito" should be enough to prove to skeptics that the Cyanide Tamales are not politically or physiologically naive. The next song, "I Whip Cheese," while being the most obvious salute to Barry Manilow to emerge in modern songwriting in at least five years, is also chock full of historico-literary allusions (and, of course, illusions). Perhaps the Cyanide Tamales finest musical and lyrical effort to date is "John the Jock." Gentle harmonies and the removal of any and all instrumental scaffolding aid in the narration of a tale worthy of Greek tradgedy and pointing to the existential nature of Ultimate Reality. This story of a noble athlete horribly maimed on the playing field is said to be a true story (see the Star, Vol. XXVI, Iss. 14). The Tamales routinely decline to comment on their inspiration for "John the Jock," but with each listen it becomes more obvious that something, somewhere, touched the soul of the athlete deep inside all of them. From their masterful songwriting and musicianship to the extensive liner notes and cover art, Around the Cat (In Eighty Days) reaffirms the Cyanide Tamales' rightful place as kings of the hill of Dadaist Rock. Nevermind the rumors of immanent breakup (People, Vol. XII, Iss. 75); like precocious, hyperactive five-year-olds on speed scampering and romping about the Playground of the Surreal, these wacky funstersare here for good. Let's hope their mothers never call them home for dinner. |
 |
Music Style
Suave and derriere |
 |
Musical Influences
The brownies that Dave's mom left to nourish our souls |
 |
Similar Artists
They Might Be Giants ... there's just no getting around it. |
 |
Artist History
But, back there, in the beginning, it sure was exciting. I mean, the feeling of creating art that future generations would enjoy and learn from was almost too incredible to believe. I remember once, when we were doing research for our movie in downtown Zanzabar, Heitz saying something to me along the lines of "Do you think I would look good in that shawl over there?" I told him no, that it would probably be very hot that night, and that he would most certainly be better off investing in some light moccasins. |
 |
Group Members
Dave Goldberg - lead vocal, puppyMatt "Flopsy" Heitz - drum machine, first clarinetJosh Kamensky - keys, guitar, scratchy thingBrent Courtney - second clarinet, good-sounding things |
 |
Instruments
keys, Jewsharp, saxes, Dr. Rhythm + Deadbeats machine, puppy |
 |
Albums
Past Prest Future Etc.; Pestilence; Why 5?; Around the Cat (in eighty days) |
 |
Press Reviews
"It is not astonishing that the Cyanide Tamales would set the 10th anniversary digital rerelease of their prodigious Around the Cat (in eighty days) on what is really their eight and a halfth anniversary. It is surprising that the badness hasn't eased with time." -- Outboard Motor Monthly |
 |
Additional Info
Machine, Dangerous Goldberg, Munging to the Oldies (A Cyanide Tamales Manifesto) |
 |
Location
Yardley, PA - USA |
 |
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|