Artist description (Since 1995, not to be confused with the other on this site- Records with Kranky, Darla, Motorway) Dense decomposed layers of filtered guitar loops,mechanikal synth pulses, colourful atmospherics.

Music Style abstract

Musical Influences machines, harmonia, eno, seefeel, my bloody valentine, chain reaction, mouse on mars, alice coltrane

Artist History Since 1995

Group Members Stephen Baker, Nick Brackney

Instruments guitars, bass, synth, filters,computer, 8-track recorder

Albums stereoscopic soundwavesCDEP/12

Press Reviews "Undobtedly the work of people who creep about exploding campanile andsymphony orchestras just to shudder joyfully in the vibrations" New Musical Express Oct. 24, 1998 "Sequence of the Negative Space Changes is one of those few albums that deserve to be appreciated on a large fluffy pillow while a good pair of headphones cradles your head" Alternative Press NO. 127, Feb 1998 "Entering from across the Atlantic, you can see the Krautrock feel of Can,the mechanical loops, two hundred years of industry lost in a whimperingdaze. From over the Pacific, liquid ambient meditations unknown, welcomeorganic intrusions into an everyday world of invasive aural clutter." Metrotimes March 10th-16th 1999 "This duo seem bent on creating soundscapes designed to be sustained only bytheir own weightlessness." Exclaim! June 1999 "mind-melting disorienting vertigo" id dec 10-16 1998 "These delicate, ethereal soundscapes make the perfect soundtrack forstaring up at passing clouds" Anodyne dec. 1998 "Tomorrowland make subtle, beautiful and meditative music" XLR8R NO.33

Location Ann Arbor, MI - USA

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