|
|
Artist description
Techno beats meets Afro-Cuban rhythms - the real Cuban deal |
|
Music Style
TechnoSoul |
|
Musical Influences
Bach, Mozart, Beethoven, Stravinsky, Oscar Peterson |
|
Artist History
Hailing from Matanzas, Cuba, with a Masters degree in Music Pedagogy from the Higher Institute of Art in Havana, DJ PWM began his career as a percussionist performing with some of Cuba's Latin Jazz Masters including Ruben Gonzalez of the Buena Vista Social Club, Chucho Valdez, and Helario Duran. One of his most inspiring moments was playing with Dizzy Gillespie and Arturo Sandoval during a workshop at the National School of Art in Havana, at the age of 18. In 1992 while performing at the world famous Tropicana cabaret in Havana, DJ PWM enveloped a variety of musical styles largely influenced by jazz and fusion, utilizing drums, congas, timbales, bongos and the traditional Afro-Cuban bata drums. From 1987-1992 he performed as principal percussionist with the Symphony Orchestra of Matanzas under the direction of renowned composer and conductor Leo Brouwer, embracing a range of styles from Bach, Mozart, and Beethoven to Stravinsky. In 1995, DJ PWM relocated to Toronto and began producing and co-writing pop music with his wife singer/songwriter Naima. In 2000, he began to explore electronic music. Being exposed to new musical genres has allowed him to fuse his extensive background of classical music, traditional and popular Cuban rhythms and jazz, with the myriad of electronic genres, creating a new style of electronic music that he calls "TechnoSoul". After receiving many positive reviews, the first track he ever wrote, "Reflection on the Moon" was featured on garageband.com as Dance "Track of the Day". |
|
Group Members
DJ PWM |
|
Instruments
Cubase VST 32, Novation Supernova II, Yamaha SW1000 |
|
Albums
Electro Meditation |
|
Location
Toronto, Ontario - Canada |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|