|
|
Artist description
Acoustic based pop songs. I use a variety of instruments and drum programs to create personal expressions in a pop form |
|
Music Style
Acousti-Pop |
|
Musical Influences
Indigo Girls, Joni Mitchell, Pop |
|
Artist History
1970-Freddy is born 1976-Freddy begins his love of music in chorus 1987-Freddy begins playing keyboards and writing songs 1988-Freddy discovers Indigo Girls 1989-Freddy begins playing acoustic guitar 1995-Freddy starts aquiring and learning the use of recording equipment 1997-Freddy begins recordings which will become "Waiting for an Echo"1999-Freddy gets a computer and starts using it to improve recordings2000-Freddy signs up with MP3.com |
|
Group Members
Frederick D. Freeman with appearances by Chris Bicksler and Andrew Shull |
|
Instruments
Acoustic and electric guitar, bass, drum programming, keyboards, and other assorted noisemakers |
|
Albums
Waiting for an Echo |
|
Press Reviews
"Freddy Freeman's music is a wonderful acoustic
folk blend of great guitar work, insightful
lyrics and tender harmonies that wrap around a
warm soul-searching voice. I can't wait to hear
more from him. - JD Doyle, producer of Queer Music
Heritage on KPFT in Houston, and co-producer of
This Way Out's AudioFile segment.
The folk anthem for modern times, Freddy Freeman's
"Echo" is just that. A universal message in a catchy
folk song in common time for the common man-woman.
He may sing "I've got my ear to the ground,"
but he's also got his pulse on the spirit and voice
on the heartstrings – Jon Gilbert Leavitt –
founder of Radio Stonewall - GLBT radio on
Mp3.com
Freddy has a way with words. His writing is
beautiful. He sings about life experiences and
puts you in that place Sharon Cataldo –
Freddy’s Mom
|
|
Location
North Bergen, NJ - USA |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|